Cassie McIntosh screenplay – Actress | Talent Agent,
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Cassie McIntosh screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Cassie McIntosh’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Cassie McIntosh – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Cassie McIntosh and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Cassie McIntosh production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Cassie McIntosh’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Cassie McIntosh and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
Contact Cassie McIntosh:
Cassie McIntosh website: https://www.amazon.com/
A script can still be character-driven, but it must rise above the “character study” level before it’ll get serious consideration as a first sale.
Once a writer has broken in and has some successes under his belt he’ll find it much easier to convince the studio to go for his character-driven piece, but in the meantime he’ll need to deliver something with more external plot.
Cassie McIntosh – When in fact, they’d need a more external plot added to a story like this in order to make it a first sale.
Then why do I keep seeing similar character-driven scripts on the spec market? Because screenwriters see these types of movies and think they can sell a similar character-driven script…
All right, those are some bloody examples, but that’s me. Here are some lighter ones: Will the three groomsmen in The Hangover be able to unravel the mystery of their blackout night in Vegas to find the groom and return him home in time for the wedding? Will Margaret and Andrew in The Proposal be able to fake an engagement convincingly enough to prevent Margaret from being deported and Andrew from going to jail for fraud?
Cassie McIntosh – I will be didactic here and say that by the end of the first act, you must have given your reader or audience everything they need to know about what the story is going to be about: what kind of story it is, who the hero/ine and antagonist (or mystery) are, and what the main conflict is going to be. It’s useful to think of the story as posing a CENTRAL QUESTION: Will Clarice get Lecter to tell her Buffalo Bill’s identity before he kills again? (The Silence of the Lambs). Will Sheriff Brody’s team be able to kill the shark before it kills again (and in time to save the tourist season)? (Jaws). Will the crew of the Nostromo be able to catch and kill that alien before it kills them? (Alien).
CENTRAL QUESTION
A reader or audience will get restless if they don’t have a good idea of what the story is within the first five (I’d even say three) minutes of a movie, or the first twenty pages of a book. Sometimes it’s enough to have just a sense of the central conflict. But often, good storytellers will make it perfectly clear what the theme of the story is, and very early on in the story. In the first act of It’s a Wonderful Life, George is impatient to leave pokey little Bedford Falls and go out in the world to “do big things.” George’s father tells him that in their own small way, he feels they are doing big things at the Building and Loan; they’re satisfying one of the most basic needs of human beings by helping them own their own homes. This is a lovely statement of the theme of the movie: that it’s the ordinary, seemingly mundane acts that we do every day that add up to a heroic life.
by: Cassie McIntosh – Actress | Talent Agent,