Daniel Cohan screenplay – Talent Agent,
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Daniel Cohan screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Daniel Cohan’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Daniel Cohan – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Daniel Cohan and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Daniel Cohan production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Daniel Cohan’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Daniel Cohan and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
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Daniel Cohan website: https://www.amazon.com/
Finally, the writer has learned how to interconnect the internal and external conflicts, create plot irony, establish genre and grab the reader in the first ten pages. The writer also learned how to commercialize a 3-Act structure, but now we’re going to take an in-depth look at how to idiot-proof the 3-Act structure to assure the writer gets the Hollywood gatekeepers (readers) and gets their script into the hands of the buyers; the producers.
In the introduction I talk about how commercializing material can actually aid creativity. Well, here’s one of those moments because coming up with a creative way to introduce your story/character that grabs the reader will help commercialize the material and will guarantee you “hook “ the reader in the first ten pages. So when your script ends up in a stack of 40-screenplay.biz/top-screenplays/" 786 target="_blank">screenplays, the writer will know he’ll end up in the 2-5 script stack headed to the producer!
Daniel Cohan – Imagine if Raiders of the Lost Ark had opened with Indiana Jones in his university classroom teaching archaeology. Boring! Instead we see him swiping a treasure from its historic resting place only to have him race through a maze of deadly traps. He’s still at his day job. It’s just been presented in a far more intriguing way that acts as an inciting incident and keeps the audience watching.
But my story opens with a character at his day job.
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Daniel Cohan – I’ll go back to the dark mirror aspect of the antagonist and protagonist: when you’re aware of this dynamic, it can really help you to create a symbiotic and thematic relationship between the hero/ine and the antagonist. The antagonist can actually help you detail and deepen your hero/ine.
THE HERO/VILLAIN MIRROR
And another thing: defining the nature of the antagonist will often help you define your other characters.
by: Daniel Cohan – Talent Agent,