Diedrich Bader screenplay – Actor | Soundtrack | Producer, Office Space (1999) | Napoleon Dynamite (2004) | Jay and Silent Bob Strike Back (2001)
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Diedrich Bader screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Diedrich Bader’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Diedrich Bader – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Diedrich Bader and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Diedrich Bader production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Diedrich Bader’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Diedrich Bader and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
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1) Provides vital information to the main plot.
According to Wikipedia, a subplot is a secondary plot strand that is a supporting side story for any story or the main plot. Okay, but how does a subplot work in a screenplay? In my opinion, it serves two purposes in a feature-length screenplay:
Diedrich Bader – HOW TO WRITE A SUBPLOT
Okay, you’re no longer a novice writer because you’ve learned a pro technique. You’ve learned how to conquer the sagging points in the story by creating three individual stories, while you learned techniques to tackle the story as a whole. It might seem hard at first, but once you get the hang of it, I bet you’ll use this technique for all your screenplay.biz/top-screenplays/" 786 target="_blank">screenplays. It’ll help the writer avoid the pitfall of a lackluster story after Act I.
And here’s a hint: you may find it useful to put those huge failures of the plan at your Midpoint and at the Act Two Climax — the Dark Night of the Soul/All Is Lost scene. Every time your hero/ine loses big, it makes the reader wonder WHAT HAPPENS NEXT, and that’s what we’re after, here. You want your reader to be as desperate as your hero/ine is to win.
Diedrich Bader – If you find your own plot sagging, especially in that long middle section, try identifying and tracking the various plans of your characters. It might be just what you need to pull your story into new and much more exciting alignment.
I hope this little exercise gives you an idea of how it can be really enlightening and useful to focus on and track just the plans of all the main characters in a story and how they clash and conflict, especially how they FAIL. Because every time a plan fails, it requires a recalibration and a new action, which builds tension, suspense, emotional commitment, and excitement.
Brody is now on his own against the shark, and in one last, desperate Hail Mary PLAN (the most exciting kind in a climax), he shoves an oxygen tank into the shark’s jaws and then fires at the shark until the tank explodes, and the shark goes up in bloody bits. As almost always, it is only that last ditch plan, in which the hero/ine faces the antagonist completely on his or her own, that saves the day.
by: Diedrich Bader – Actor | Soundtrack | Producer, Office Space (1999) | Napoleon Dynamite (2004) | Jay and Silent Bob Strike Back (2001)