Eugene Levy screenplay – Actor | Writer | Producer, A Mighty Wind (2003) | Waiting for Guffman (1996) | Best in Show (2000)
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Eugene Levy screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Eugene Levy’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Eugene Levy – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Eugene Levy and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Eugene Levy production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Eugene Levy’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Eugene Levy and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
Contact Eugene Levy:
Eugene Levy website: https://www.amazon.com/
DYSFUNCTIONAL PEOPLE
The holiday script starts with a theme! Next, pick the type of story. Holiday films fall under two main categories that I’ll label “Dysfunctional People” and “Holiday Magic”. A story can focus on one or be a combination of the two categories. Let’s take a look at each category:
Eugene Levy – For screenwriters who struggle with identifying the theme in their stories, writing a holiday story is an excellent way to practice nailing down the theme before moving to another type of script that requires a more subtle approach to the theme.
A classic example of how the theme is handled directly can be found in the holiday film The Grinch. A community is consumed with acquiring presents and upstaging their neighbors with holiday decorating. They’ve forgotten the meaning of Christmas. A little girl named Cindy Lou directly asks why they need the presents at all. Throughout the story she continually confronts the issue head-on; Christmas isn’t supposed to be about presents. It’s supposed to be about family. In a holiday film, there’s no need to cleverly conceal the theme in subtext dialogue or metaphoric visuals, etc. The screenwriter can state the theme outright and explore it in a very direct manner.
Right: Lecter escapes. Well, what does that have to do with our heroine?
Eugene Levy – – What’s the second act climax of The Silence of the Lambs? (Hint: it’s the one sequence/setpiece that everyone remembers, and Clarice is nowhere near the action.)
Also usually at the climax of Act II, the Central Question of the story, that was asked in the first act, is answered. And here’s an interesting structural paradigm to consider. In a lot of stories, the answer is often: No.
CENTRAL QUESTION IS ANSWERED
by: Eugene Levy – Actor | Writer | Producer, A Mighty Wind (2003) | Waiting for Guffman (1996) | Best in Show (2000)