Gregory Harrison screenplay – Actor | Producer | Director, Trapper John, M.D. (1979-1986) | Picnic (1986) | Falcon Crest (1989-1990)
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Gregory Harrison screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Gregory Harrison’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Gregory Harrison – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Gregory Harrison and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Gregory Harrison production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Gregory Harrison’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Gregory Harrison and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
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Gregory Harrison website: https://www.amazon.com/
In The Quick and the Dead a sleazy cowboy tries to shoot Sharon Stone’s character and finds himself shackled to a piece of wood because she’s not a helpless woman. This cowboy just met a woman gun fighter.
Inciting Incident – What will happen next after he loses the climber?
Gregory Harrison – Interesting Character Moment – Not often we see a guy hanging from a cliff.
In Cliffhanger the protagonist is introduced hanging from a cliff. This alone is memorable, but when he loses a fellow climber and she falls to her death the introduction becomes a grand entrance.
And it’s always a huge emotional payoff when a reluctant hero steps up to the plate.
Gregory Harrison – Another important component in an ending is a sense of inevitability: that it was always going to come down to this. Sheriff Brody does everything he can possibly do to avoid being out on the water with that shark. He’s afraid of the water, he’s a city-bred cop, he’s an outsider in the town; in short, he’s the least likely person to be able to deal with this gigantic creature of the sea. Knowing himself to be completely unqualified, he enlists not one but two vastly different “experts from afar,” the oceanographer Hooper and the crusty sea captain Quint, to handle it for him. But deep down we know from the start, almost because of his fear and his unsuitability for the task, that in the final battle it will be Sheriff Brody, alone, mano a mano with that shark. And he kills it with his own particular skill set: he’s a cop, and one thing he knows is guns. It’s unlikely as hell, but we buy it, because in crisis, we all resort to what we know.
So while you’re struggling to pull together everything you’re trying to make happen in an ending, remember to step back and identify what you want your reader or audience to feel.
It’s A Wonderful Life is another terrific example of emotional exhilaration in the end. Once George Bailey has seen what would have happened to his little town if he had never been born, and he decides he wants to live and realizes he is alive again, the pleasures just keep coming and coming and coming. It is as much a relief for us as for George, to experience him running through town, seeing all his old friends and familiar places restored. And then to see the whole town gathering at his house to help him, one character after another appearing to lend money, Violet deciding to stay in town, his old friend Sam wiring him a promise of as much money as he needs – the whole thing makes the audience glad to be alive, too. We feel, as George does, that the little things we do every day do count.
by: Gregory Harrison – Actor | Producer | Director, Trapper John, M.D. (1979-1986) | Picnic (1986) | Falcon Crest (1989-1990)