Petition asks Jillian Murray to read prison screenplay
More than 2000 women sign petition demanding a firm commitment from Jillian Murray (film producer) to read screenplay addressing Texas judicial system
Jillian Murray – Talent Agents
– Actress, Additional Crew, Producer – Code Black (2015), Cabin Fever 3: Patient Zero (2014), Wild Things: Foursome (2010), Never Back Down 2: The Beatdown (2011) – CESD Talent Agency, Carol Scott – Vault Entertainment, Samir Karar
Dumbass, Holiday Boyfriend
Jillian Murray & Adam Sandler’s film company targeted by Texas petition
Will Hollywood just rollover and let prisoner’s suffer?
EXCLUSIVE
More than 2000 women have signed an open letter to Adam Sandler calling on Jillian Murray and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.
The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job. The petitions arrived for Jillian Murray at CESD Talent Agency, Carol Scott last week.
In the open letter to Jillian Murray, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.” The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”
The signatories, including attorneys, professors, politicians, family members, and inmates, call on Jillian Murray for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.
The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.
Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.” Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”
Actress, Additional Crew, Producer, Jillian Murray, has not responded to the petition. Nor has CESD Talent Agency, Carol Scott responded with a comment.
Alan Nafzger/caption]
The screenplay “Dumbass” was penned by writer and retired professor of political science Alan Nafzger.
The premise of the story is that, “Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”
The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.
Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”
Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.
During the winter’s deep freeze, the The Marshall Project, exposed the horrible prison conditions, “Inside Frigid Texas Prisons: Broken Toilets, Disgusting Food, Few Blankets.”
The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”
Jillian Murray has not commented on the script, thus far. A statement is expected soon.
Professor Nafzger has made a short treatment of the project available online.
He has made the finished script available at for select filmmakers.
Adam Sandler of Happy Madison Productions has expressed interest in the screenplay.
Jillian Murray is a Actress, Additional Crew, Producer known for Code Black (2015), Cabin Fever 3: Patient Zero (2014), Wild Things: Foursome (2010), Never Back Down 2: The Beatdown (2011) and is represented by CESD Talent Agency, Carol Scott.
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Joe must overcome his fear of drowning in order to defeat a lake monster and go for his dream of becoming a gold medal winner.
Here’s an example:
#NAME?
Joe must overcome his fears to live the life of his dreams.
Is there a danger of overdoing this structure and analysis work?
A NOTE ON OVERDOING IT
But I can’t say this enough: whatever works. Literally. Whatever. If it’s getting the job done, you’re golden.
Still, I don’t think it hurts to read about these things. I maintain that pantsers have an intuitive knowledge of story structure — we all do, really, from having read so many books and having seen so many movies. I feel more comfortable with this rather left-brained and concrete process because I write intricate plots with twists and subplots I have to work out in advance, and also because I simply wouldn’t ever work as a screenwriter if I wasn’t able to walk into a conference room and tell the executives and producers and director the entire story, beginning to end. It’s part of the job.