John Hughes screenplay – Writer | Producer | Director, Planes, Trains & Automobiles (1987) | The Breakfast Club (1985) | Ferris Bueller’s Day Off (1986)
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John Hughes screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through John Hughes’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
John Hughes – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director John Hughes and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the John Hughes production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About John Hughes’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, John Hughes and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
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John Hughes website: https://www.amazon.com/
FILM-WORTHY DIALOGUE
Don’t try to take this test yourself! This is beyond cheating because you’re cheating yourself out of the opportunity to get some valuable feedback on the dialogue you’ve written.
John Hughes – This can be a real eye opener! You don’t have to do this with every scene. Pick a dialogue scene, preferably with the protagonist and antagonist – maybe with one other character – and use this. Use two or more scenes if you want.
? Check what they put and if it doesn’t match, ask why they chose the name they did.
Now there’s another escalation to the online romance: Meg emails Tom that she needs help, she needs advice, and Tom IMs her for the first time. And he gives her the advice to “go to the mattresses.” This is another classic romantic comedy trope that goes with FALSE IDENTITY: one lover playing the CONFIDANT to the loved one while the loved one obliviously babbles on about the lover to himself — and in this case, counseling her on how to destroy him. Subsequently, the negative media attention Meg brings to Tom and his store makes Tom resent and dislike her. But even with all the publicity, the shop’s revenue continues to go down.
John Hughes – SEQUENCE FOUR
The CLIMAX OF SEQUENCE 3, you could say, is the dueling Thanksgiving party scenes (the hero and heroine singing with their extended families; they’re on parallel tracks that show they are right for each other). But I’d say it’s the scene after, in which we and Meg realize that her shop really is failing. This is a good example of the DUAL CLIMAX pattern you often see in a romantic comedy, in which you’ll have a scene that shows the hero and heroine are meant to be, and then undercut it with a scene of what is keeping them apart.
In Sequence Three, the megastore opens and immediately cuts into Meg’s bookstore’s business. Meg and her significant other, Frank, attend a party, and Tom and his significant other, Patricia, are also there. Meg learns that Tom is the owner of Fox Books and confronts him over the canapés. They have an extended fight which ends with them both dragging their significant others out of the party. Later that night, they both sneak out of bed to go online to write about the incident to each other. Off-line they keep seeing each other around the neighborhood, and try to avoid each other, but then Tom rescues Meg when she has no cash in a grocery store line.
by: John Hughes – Writer | Producer | Director, Planes, Trains & Automobiles (1987) | The Breakfast Club (1985) | Ferris Bueller’s Day Off (1986)