Jordan Gorelick screenplay – Talent Agent,
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Jordan Gorelick screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Jordan Gorelick’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Jordan Gorelick – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Jordan Gorelick and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Jordan Gorelick production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Jordan Gorelick’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Jordan Gorelick and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
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Jordan Gorelick website: https://www.amazon.com/
Why is it so important? Because it creates deeper meaning within the story and makes us experience the movie rather than just watching the movie. Almost all screenwriters seem to add subtext to at least one scene in their script – whether intentional or not. The problem is the majority of dialogue should contain subtext.
How do we film this? Shouldn’t we steer clear of subtext all together? As a Hollywood reader I can assure you I’ve never seen a script – first sale or otherwise – sell without it!
Jordan Gorelick – Subtext is an implied or underlying meaning to the words spoken
Subtext is one of the most difficult areas for screenwriters to grasp. After all, screenwriters have been told repeatedly not to write anything that can’t be filmed. But subtext is what adds a commercial edge to dialogue.
15. Remember that the first draft is always going to suck.
Jordan Gorelick – Make the lists. It’s fun, and it works.
14. When you’re stuck, make a list. I am pretty sure there is no story problem that cannot be solved by stopping the hair-pulling and gnashing of teeth, breathing a bit, and then sitting calmly down to make a list of examples of the way great storytellers (your favorite storytellers) have dealt with the particular problem that you are tearing your hair out and grinding your teeth over. Can’t figure out a great opening? List your Top Ten favorite or most striking opening images. Your villain isn’t villainous enough? Make a Top Ten Villains list, and take some time to really break down why those bad boys, or girls, turn you on. Not enough suspense? List your top ten most thrilling suspense scenes. Your story isn’t hot enough? Have some real fun and list your top ten steamiest sex scenes —and/or best kisses. (Warning: try to have some loved one close at hand for later… better yet, make a night of it – rent the movies and… analyze… those particular scenes together. Don’t you just love research?)
13. You can always watch movies and do breakdowns to inspire you and break you through a block.
by: Jordan Gorelick – Talent Agent,