Luc Besson screenplay – Writer | Producer | Director, The Fifth Element (1997) | Léon: The Professional (1994) | Lucy (I) (2014)

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Luc Besson screenplay subject of prison petition

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Petition Addressing the Texas Judicial System Requests Support through Luc Besson’s “Dumbass”

Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?

Luc Besson – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Luc Besson and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Luc Besson production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.

PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.

SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.

It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.

To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/

About Luc Besson’s “Dumbass” Movie

The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Luc Besson and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.

Luc Besson screenplay subject of prison petition

Contact Luc Besson:

Luc Besson website: https://www.amazon.com/

Other characters can call Bob whatever they want, but the screenwriter should stick to Bob.

Keep names in description consistent and in dialogue cue indicators.

Luc Besson – Bob should not be Bob on one page and Bobby on the next page.

KEEP CHARACTERS CONSISTENT

What I do when I start a project, along with outlining, is to keep a list of thematic words (in my notebook!) that convey what my story is about, to me.

Luc Besson – Well, start by becoming more conscious of what image systems authors are working with in books and films that you love. Some readers/writers don’t care at all about visual image systems. That’s fine —whatever floats your boat. Me, with rare exceptions, I’ll toss a book within twenty pages if I don’t think the author knows what s/he’s doing visually.

So how do you create a visual/thematic image system in your books?

CREATING A VISUAL/THEMATIC IMAGE SYSTEM

by: Luc Besson – Writer | Producer | Director, The Fifth Element (1997) | Léon: The Professional (1994) | Lucy (I) (2014)