Luke Wilson screenplay – Actor | Producer | Director, Old School (2003) | The Royal Tenenbaums (2001) | Vacancy (2007)
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Luke Wilson screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Luke Wilson’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Luke Wilson – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Luke Wilson and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Luke Wilson production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Luke Wilson’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Luke Wilson and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
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Keep description to 4-6 lines.
LIMIT DESCRIPTION
Luke Wilson – This is when something unexpected happens. Often spec scripts fail because the screenwriter only added a twist when it came time to spin the story at Plot Point I, Plot Point II or at the very end. Well, guess what – – a reversal (mini-twist) should be in every single scene! This keeps material fresh and keeps the reader (audience) guessing.
REVERSALS
As I said earlier, in a film you have an opening image by default, whether you put any planning into it or not. It’s the first thing you see in the film. But good filmmakers will very consciously design that opening image to establish all kinds of things about the story: mood, tone, location, and especially theme. There can be more than just one image or shot at work, too; sometimes it’s more like a whole opening scene.
Luke Wilson – OPENING IMAGE
(Some of these examples I’ve used earlier in the book, so there will be some repetition, but I want to collect these analyses I’ve been doing throughout in one place. I’ll expand on them here to make the points and for those who are working with these chapters in a non-linear order!)
So now I want to look more closely at a few of those key story elements (and that’s key to all genres) and detail some examples of how filmmakers create these beats as setpiece scenes. And of course, these key scenes are very often used as act climaxes or sequence climaxes — we’ll talk about which elements are generally used as which act climaxes.
by: Luke Wilson – Actor | Producer | Director, Old School (2003) | The Royal Tenenbaums (2001) | Vacancy (2007)