Oliver Hudson screenplay – Actor | Soundtrack | Producer, Black Christmas (2006) | Walk of Shame (2014) | Executive Decision (1996)
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Oliver Hudson screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Oliver Hudson’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Oliver Hudson – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Oliver Hudson and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Oliver Hudson production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Oliver Hudson’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Oliver Hudson and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
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Oliver Hudson website: https://www.amazon.com/
Here’s how it would look:
We see the exterior (establishing) shot of a building and we hear someone talking then we’re suddenly inside the building where we see the individual talking. This isn’t strictly a directorial decision. Screenwriters use it consistently as a way to visualize their stories to keep the reader involved and show a master level of writing.
Oliver Hudson – Here’s how overlapping works:
The Overlapping Transition
The problem is, I don’t think that’s going to do a thing to improve the VOICE of a book.
Oliver Hudson – So I can tell beginning writers that they need to be conveying mood, tone, genre, foreshadowing, stakes, urgency, main character need and desire, setting, THEME, etc., in their first chapters. And I can make very concrete suggestions about how to bring those things out.
And a first chapter doesn’t have to be explosive or perfect to convey those things, either. If an author has written a book worth reading, the first chapter will communicate that (partly because if it hasn’t, the author will have rewritten the chapter or started over with a new chapter that introduces the book convincingly).
Now, there were obvious, easily definable problems with some of these unpublished first chapters I’m talking about. I think a first chapter carries the whole weight of the book with it. It has to convey mood, tone, genre, foreshadowing, stakes, urgency, main character need and desire, setting, theme (especially, especially, especially theme) and the absolute sense that this is a journey that we want to take. And a dozen other things beyond that. (Note that I didn’t mention “a great first line.” I am not one of the cult of the first line.)
by: Oliver Hudson – Actor | Soundtrack | Producer, Black Christmas (2006) | Walk of Shame (2014) | Executive Decision (1996)