Ruby Kaye screenplay – Talent Agent | Producer,
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Ruby Kaye screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Ruby Kaye’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Ruby Kaye – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Ruby Kaye and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Ruby Kaye production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Ruby Kaye’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Ruby Kaye and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
Contact Ruby Kaye:
Ruby Kaye website: https://www.amazon.com/
Let’s look at the first genre determination. It’s page length based on accepted formats; Dramas run the longest up to 120 pages, Horrors average 90-105 pages, RomComs run around 105-110 pages as do comedies, Action/Adventures run around 110-115 pages, Sci-Fi around 100-105, etc. The more action your script has the shorter you’ll need the length to be because action takes up more screen time than paper time and doesn’t fit the one page equals one minute of screen time rule. Opposite is true for dialogue-driven stories. Actors can rattle off two pages for every minute of screen time. This is why Hollywood advocates a 60-40% rule with stories being 60% visuals, 40% dialogue. In addition, any script falling under 90-pages won’t be given serious consideration. Same goes for scripts coming in over 120 pages – forget it!
I’m here to tell you that your screenplay’s genre is a determining factor in how to handle the format. Bet they didn’t mention that in the formatting book you purchased for $19.99. Heck, they didn’t even mention it in the ‘how-to’ screenwriting book you purchased for $29.99.
Ruby Kaye – First, I’d like to say for the record that screenwriters with multi-genre scripts give me a headache! 9.9 out of 10 have subjects and worse, formats, that are all over the place! It feels like I’ve fallen into the rabbit hole – if you know what I mean!
THE GENRE FORMAT
The Rule of Three is a basic rule of storytelling — and other arts as well.
Ruby Kaye – 37. The Rule of Three
Something to think about!
I think it’s really useful to train yourself to look for how your favorite storytellers might be using these transitions, on screen and on the page. It will get you thinking about how you might use some kind of bridge scene yourself. It’s not that you have to do it, not at all! But maybe there’s a hint of some perfect recurring transition scene already in your first draft that you can build on to create a whole series of transitions that will give your story that perfect symmetry and momentum.
by: Ruby Kaye – Talent Agent | Producer,