Sean Connery screenplay – Actor | Producer | Soundtrack, The Untouchables (1987) | The Rock (1996) | Thunderball (1965)
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Sean Connery screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Sean Connery’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Sean Connery – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Sean Connery and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Sean Connery production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Sean Connery’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Sean Connery and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
Contact Sean Connery:
Sean Connery website: https://www.amazon.com/
I believe TV is to blame for the confusion when it comes to repeating information. Unlike films, TV is a talking-heads medium where it’s acceptable to repeat information. Detective shows have made repetition an art by summing up a case at the end of the show; literally repeating everything we’ve learned in summation style, then announcing the suspect. Because we watch more TV than movies on a daily basis, we’re used to this. Then the writer sits down to write a screenplay. He has an arson situation where investigators reveal their findings to one character. This character in turn meets up with other characters in a different scene and repeats everything he just learned about the arson case. This works in TV, but NOT in film. In film, one of two things should happen: 1) either the character sums it up by saying something like, “It’s arson” or 2) the writer gets into the scene late – right after the character has already conveyed the vital information to the other characters, thus avoiding repetition.
Often when providing coverage I have to tell writers not to repeat information that has already been revealed via the visuals or dialogue. I then receive email follow-up questions that go something like this: “But how will the other characters know the information unless it’s told to them?”
Sean Connery – REPETITION FORMAT
Also, don’t feel like you have to show the information being displayed by the technology every single time. Maybe we see Harold in front of the computer and watch him sob, but we don’t learn why until later. Knowing when and how to reveal information is part of the challenge of creating suspense in a story. But if the story calls for the information to be revealed, you now know how to do it properly.
4. Do several passes.
Sean Connery – This is easier said than done, but you need a group, or a series of readers, who will commit themselves to making your work the best it can be, just as you commit the same to their work. Most editors don’t edit the way they used to, and many publishing houses expect their authors to find friends to do that kind of intensive editing. Really. If you are indie publishing, you absolutely must hire a professional freelance editor as well.
3. Find a great critique group.
The best thing I know to do to edit a book – or script – is read it aloud. The whole thing. I know, this takes several days, and you will lose your voice. Get some good cough drops. But there is no better way to find errors — spelling, grammar, continuity, and rhythmic errors. Try it, you’ll be amazed.
by: Sean Connery – Actor | Producer | Soundtrack, The Untouchables (1987) | The Rock (1996) | Thunderball (1965)