Stephanie Randall (I) screenplay – Prehistoric Women (1967) | The Saint (1965) | Legend of Death (1965),
FOR IMMEDIATE RELEASE
Stephanie Randall (I) screenplay subject of prison petition
FREE: download the script by Stephanie Randall (I) today!
Petition Addressing the Texas Judicial System Requests Support through Stephanie Randall (I)’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Stephanie Randall (I) – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Stephanie Randall (I) and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Stephanie Randall (I) production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Stephanie Randall (I)’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Stephanie Randall (I) and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
Contact Stephanie Randall (I):
Stephanie Randall (I) website: https://www.amazon.com/
This is an old, outdated format. All it does it distract the reader. The only time this is advisable is when the dialogue continues to another page. Also, if a character continues to speak in a new scene, treat it like a new scene – meaning there should NOT be a CONT’D because he’s speaking for the first time in the new scene.
5) Don’t use CONT’D when a character speaks twice in a row.
Stephanie Randall (I) – -As you can see, the added visuals provide a moving picture of the scene and this is how it should be done!
I’m with West…we split the dough now.
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Stephanie Randall (I) – And Harry passing the test and running through the pillar at Platform 9 ¾ is the SEQUENCE TWO CLIMAX. He leaves the Muggle world altogether at that point (The Hogwarts Express is a wonderful antique train!) and the TRANSITION TO SEQUENCE THREE is the shot of the train going out of the Muggle world and into the forest. Big location change – they’re really going out into the isolated country. Big, gorgeous, sweeping vistas. (INTO THE SPECIAL WORLD – fourth step.) [34 minutes]
Harry proves to be smart: he hears the word “Muggle” and takes it as the clue it is. But this is also important: Harry is feeling lost, and he instinctively follows a woman who has red hair like his mother and a large family (note in the background just before this: a red-haired mother holding a small child on the platform, a visual reminder of Harry’s mother holding Harry, as we have been seeing in flashback). These are subtle but powerful indications of Harry’s DESIRE — or OUTER NEED — for a family. And he’s about to get one in the Weasleys, especially Ron.
On the train platform, Hagrid suddenly disappears on Harry, because this is a TEST of the young wizard – can he figure out the mystery of Platform 9 ¾ and find his way into the Special World by himself?
by: Stephanie Randall (I) – Prehistoric Women (1967) | The Saint (1965) | Legend of Death (1965),