Ben Dey screenplay – 103,871,
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Ben Dey screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Ben Dey’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Ben Dey – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Ben Dey and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Ben Dey production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Ben Dey’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Ben Dey and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
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Ben Dey website: https://www.amazon.com/
The external event forces the character to change
Story’s external event is the most important moment in protagonist’s life, not just another day
Ben Dey – Protagonist has been given a grand entrance
First Ten Pages hooks the reader
That curtain scene is alive and well today as ACT CLIMAXES. In movies, it’s not quite so evident as in plays because the film doesn’t actually stop for a break at the act climax, but that rhythm is definitely there. In a film, you can generally spot an Act Climax because it will be a SETPIECE SCENE: there’s a dazzling, thematic location, an action or suspense sequence, an intricate set, a crowd scene, even a musical number. (We’ll get much more into SETPIECES in subsequent chapters, but you may want to skip ahead to Chapter 22 to read up on them.)
Ben Dey – And that’s how the CLIFFHANGER was born. The CURTAIN SCENE (also called just “CURTAIN”) had to be so explosive — such a startling revelation or reversal, such a dramatic shift in the power dynamics of the characters, that the audience would want to come back in to the theater after intermission to find out what happens.
So it was absolutely crucial for the playwright to end that first act and second act, before each intermission, with something so great and enticing that the audience would come right back into the theater when the lobby lights blink, and not just go carousing into the night.
But the trick about intermissions is that once people are out in the lobby, drinking and flirting and smoking and doing what they do on a Saturday night, their natural tendency is to want to keep drinking and flirting and all those things that drinking and flirting hopefully lead to.
by: Ben Dey – 103,871,