Benji Bar-David screenplay – Talent Agent,
FOR IMMEDIATE RELEASE
Benji Bar-David screenplay subject of prison petition
FREE: download the script by Benji Bar-David today!
Petition Addressing the Texas Judicial System Requests Support through Benji Bar-David’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Benji Bar-David – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Benji Bar-David and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Benji Bar-David production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Benji Bar-David’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Benji Bar-David and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
Contact Benji Bar-David:
Benji Bar-David website: https://www.amazon.com/
Besides obvious plot holes, character problems, etc., I can easily tell a screenwriter didn’t bother to outline from the handling of the 3-Act Structure. I think it’s silly to assign certain pages to specific plot points, like plot point I must fall on page 30 and plot point II must fall on page 90.
Avoid Problems With the 3-Act Structure
Benji Bar-David – Ask questions. Even if you don’t have an immediate answer you’ll be surprised when later you suddenly realize how to make a plot element work, or how to nail down a scene or beef up the dialogue. Let the creative portion of your brain provide the answers for you! Don’t feel like you have to get the script done now because the concept is too hot to wait. If it’s that hot, it’ll sell no matter when you get it done. The goal is to get it done right the first time by asking the important questions BEFORE the writing process begins.
The human brain is an amazing computer. If you ask it a question it will try its hardest to come up with the answer. Have you ever had someone ask you what someone’s name is and you couldn’t remember? You ask and ask yourself, “What was his name?” Then later when you’re not even thinking about it anymore you suddenly remember the person’s name. That’s because your brain never stopped working on the question you presented.
So I want to get you familiar with the eight-sequence structure in film first, and we’ll go on to talk about the application to novels.
Benji Bar-David – So chances are, you’re already doing it too. But if your story somehow isn’t grabbing anyone who reads it, check first to make sure you’re having climaxes at regular intervals. (I mean, writing them. You know.) Because your reader or audience has also seen and read tens of thousands of books and movies and TV shows, and they unconsciously expect these regular climaxes. I am going to say this again because it’s critical that you get it: If you aren’t giving them climaxes at the expected intervals, they’re going to get antsy and think you, the author, are doing something wrong. And quite possibly give up on the book, or walk out on the film.
The eight-sequence structure actually translates beautifully to novel structuring, although as novelists we have much more leeway on the time front and you might end up with a few more sequences in the end. Even so, most novelists use this rhythm unconsciously, because after seeing thousands, tens of thousands, of movies and TV shows, we just can’t help ourselves. Just like with the three-act structure, the eight-sequence rhythm is in our DNA.
Right! Television! TV writers always end a sequence on a cliffhanger before the station cuts away to a commercial break. It’s just too easy to change channels otherwise. (I am not a TV writer, and this is not a TV writing book, and I’m being horribly simplistic. Be aware that if you’re writing for television, different networks have different requirements and different numbers and lengths of acts, so do your homework!)
by: Benji Bar-David – Talent Agent,