May 14, 2021

Bettina T Omara asked to read prison screenplay

Petition asks Bettina T Omara to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Bettina T Omara (film production company) to read screenplay addressing Texas judicial system

Bettina T Omara

The petition also names Amaury Nolasco & Max Maulitz to participate in the film.

Dumbass screenplay could sway Texas 2022 election.

Bettina T Omara & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?

EXCLUSIVE

Bettina T Omara
Bettina T Omara
In Texas, more than 2000 women have signed an open letter to Adam Sandler and Bettina T Omara calling on Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Bettina T Omara in Los Angeles last week.

In the open letter to Bettina T Omara, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Bettina T Omara  for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Bettina T Omara, Max Maulitz or Amaury Nolasco have not responded to the petition. Nor has Jana Sandler responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “DUMBASS” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Bettina T Omara has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jessica Kovacevic of Happy Madison Productions has also expressed interest in the screenplay.

Bettina T Omara is a well known production company known for Nosferatu and a number of other cool movies and is represented by Doug Lucterhand.

——————- READ MORE ——————-

Character: You are going to tell stories about people. Even if you blow up a lot of buildings and take hostages along the way, your story must have characters that we, the audience, will remember. Look at the “characters” in your own life: “Joe is such a character!” “Mary is such a character!” Movies are larger than life, and so it’s even more important to create characters who are memorable.

Let me expand on this early overview. There are six essential areas in which you will be honing your screenwriting craft:

The Six Essentials of Screenwriting

market your screenplay

So your hook is an important “marketing tool” as well as important to your story—in fact, it probably is more important as a marketing tool! Actually, you might even have a hook in the “spec script” version of your story that ends up getting cut by the time the script has gone through development.

Later, when you start marketing your script, you will find that people in the industry will request your script to read. This usually means that you can be sure they will read about five or ten pages—and that’s about how long you have to grab their attention.

You might also think of your hook as a sequence of scenes, rather than as a single engaging moment. Depending on the kind of story you are writing, more than one “gripping” thing can be going on.

Don’t be afraid to take a second look at it, however, and improve upon it. How can you make it even more engaging and more visual?

Bettina T Omara

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Los Angeles

90024-3312

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