Breeda Wool screenplay – Actress | Producer | Writer, Mr. Mercedes (2017-2019) | UnREAL (2015-2018) | Mass (2021)
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Breeda Wool screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Breeda Wool’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Breeda Wool – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Breeda Wool and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Breeda Wool production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Breeda Wool’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Breeda Wool and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
Contact Breeda Wool:
Breeda Wool website: https://www.amazon.com/
Think about it. Do you have a friend who doesn’t like horrors or RomComs? Sure you do. Audiences tend to lean toward a favorite genre. Producers know this. It means genre is their #1 selling tool. If a logline doesn’t reveal the genre, why would they waste their time reading the script? By the way, most producers will assume if the logline doesn’t reveal the genre that it’s likely the entire script has genre issues.
I’ve read some fantastic scripts only to read the logline and it sucks! The reason is the writer failed to deliver the genre in the logline. The writer seemed too busy with plot and character; both of which are important, but if the genre isn’t clear it’s unlikely a producer will ask for the read. Why? Because producers sell material to an audience based on genre.
Breeda Wool – Logline Should Suit the Genre
The toughest parts will be the logline and synopsis. Here are some shortcuts to help the writer create loglines and synopses that sell the story:
Then I do layer after layer after layer — different drafts for suspense, for character, sensory drafts, emotional drafts – each concentrating on a different aspect that I want to hone in the story — until the clock runs out and I have to turn the whole thing in.
Breeda Wool – Everything after that initial draft is frosting. It’s seven million times easier to rewrite than to get something onto a blank page.
At some point, (and a deadline has a lot to do with exactly when this point comes!) I feel I know the shape of the story well enough to start that first draft. Because I come from theater, I think of my first draft as a blocking draft. When you direct a play, the first rehearsals are for blocking — which means simply getting the actors up on their feet and moving them through the play on the stage so everyone can see and feel and understand the whole shape of it. That’s what a first draft is to me, and when I start to write a first draft I just bash through it from beginning to end. It’s the most grueling part of writing, and it takes the longest, but writing the whole thing out, even in the most sketchy way, from start to finish, is the best way I know to actually guarantee that you will finish a book or a script.
In the beginning of a project, you will probably be going back and forth between all of those tracks as you build your story. This is my favorite part of the writing process — building the world — which is probably part of why I stay so long on it myself. But by the time I start my first draft, I have so much of the story already that it’s not anywhere near the intimidating experience it would be if I hadn’t done all that prep work.
by: Breeda Wool – Actress | Producer | Writer, Mr. Mercedes (2017-2019) | UnREAL (2015-2018) | Mass (2021)