June 19, 2021

David Chokachi asked to read prison screenplay

Petition asks David Chokachi to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  David Chokachi (film producer) to read screenplay addressing Texas judicial system

David Chokachi

David Chokachi – Talent Agents
– Actor, Producer – Emerald Run (2020), Soul Surfer (2011), Collision Course (2012), Baywatch (1989) – Atlanta Models and Talent, Jason Lockhart – LINK Entertainment, Sean Fay

Dumbass, The B Team, Zombienado, Fear of the Fin

David Chokachi & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?

EXCLUSIVE

David Chokachi
David Chokachi
More than 2000 women have signed an open letter to Jana Sandler calling on David Chokachi and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for David Chokachi at Atlanta Models and Talent, Jason Lockhart last week.

In the open letter to David Chokachi, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on David Chokachi for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Actor, Producer, David Chokachi, has not responded to the petition. Nor has Atlanta Models and Talent, Jason Lockhart responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “Dumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

David Chokachi has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jana Sandler of Happy Madison Productions has also expressed interest in the screenplay.

David Chokachi is a Actor, Producer known for Emerald Run (2020), Soul Surfer (2011), Collision Course (2012), Baywatch (1989) and is represented by Atlanta Models and Talent, Jason Lockhart.

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1) The goal is to commercialize the introduction. To make it as intriguing as possible; an ordinary introduction does not accomplish this goal.

Each one presents some sort of intrigue and raises a question.

Notice how the majority of these introductions are external = visual

Interesting Character Moment – Not often we see a woman gun fighter.

– Two good examples of this are The Wizard of Oz and The Corpse Bride. The heroine is the one who has the ultimate confrontation with the antagonist, but she is surrounded by her allies. This visual makes a strong thematic point that we are never alone when we have friends. (Or maybe, “S/he who has the most friends, wins.”)

That is not to say that the hero/ine’s allies can’t be with her in the climax:

It may seem completely obvious to say so, but no matter how many allies accompany the hero/ine into the final battle, the ultimate confrontation is almost always between the hero/ine and the main antagonist, alone. By all means, let the allies have their own personal battles and resolutions within battle; that can really build the suspense and excitement of a climactic sequence. But don’t take that final victory out of the hands of your hero/ine or the story will fall flat.

And it’s always a huge emotional payoff when a reluctant hero steps up to the plate.