Demi Bennett screenplay – Actress | Talent Agent,

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Demi Bennett screenplay subject of prison petition

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Petition Addressing the Texas Judicial System Requests Support through Demi Bennett’s “Dumbass”

Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?

Demi Bennett – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Demi Bennett and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Demi Bennett production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.

PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.

SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.

It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.

To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/

About Demi Bennett’s “Dumbass” Movie

The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Demi Bennett and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.

Demi Bennett screenplay subject of prison petition

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Demi Bennett website: https://www.amazon.com/

Before moving on to discuss CHARACTERS in Chapter Three, I’ve provided articles from Extreme Screenwriting’s monthly newsletters on how to write the various genres, how to write a subplot, a short script and themes. Reference the sections that apply to you, then move on to Chapter Three.

That’s it for plot/execution. It’s not as hard as you thought, huh? Once you learn the tricks to commercializing a script’s plot, you can sit back and let the creative juices flow because you have the knowledge to write a script that will finally land you exactly where you want to be; up on the big screen!

Demi Bennett – Think franchise potential. Today’s producers are looking to capitalize on material that has franchise potential, which means they can produce part I, part II and part III – maybe even a TV spin-off series. This means to end the story in a way that leaves it open for a potential sequel. A word of warning: this does NOT mean to leave the conflict unresolved! Watch franchise films to see how the first movie in the franchise ended and how it technically leaves open the possibility for the hero to return.

Check the page length. If Act III is less than 10 pages long, it’s too short. A short Act III means the hero wasn’t given a strong enough external conflict to resolve. By this point in the story, the hero’s reached his arc and has changed internally. Go back and work on Act I’s setup and Act II’s conflict. Beef it up, stay focused on resolving the hero’s internal conflict and leave Act III for the hero to resolve the external conflict.

Jaws

Demi Bennett – I’d like to demonstrate all of this by following a plan through a classic movie.

The hero/ine’s plans should almost always be stated (although something might be held back, even from the reader/audience, as in The Maltese Falcon and Casablanca — that Bogey was a sly one). The antagonist’s plans might be clearly stated or kept hidden, but the effect of his/her/their plotting should be evident. It’s good storytelling if we, the reader or audience, are able to look back on the story at the end and understand how the hero/ine’s failures were a direct result of the antagonist’s scheming.

(I’m giving that its own, bold line to make sure it sinks in.)

by: Demi Bennett – Actress | Talent Agent,