May 18, 2021

Donald MacLean Jr. asked to read prison screenplay

Petition asks Donald MacLean Jr. to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Donald MacLean Jr. (film producer) to read screenplay addressing Texas judicial system

Donald MacLean Jr.

Donald MacLean Jr. – Talent Agents
– Actor, Writer, Producer – Nurses (2020), Workin’ Moms (2017), The Craft: Legacy (2020), October Faction (2020) – Vanderwerff Talent, Mirjam Vanderwerff – Thruline Entertainment, Michael Rimock

Dumbass,

Donald MacLean Jr. & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?

EXCLUSIVE

Donald MacLean Jr.
Donald MacLean Jr.
More than 2000 women have signed an open letter to Jana Sandler calling on Donald MacLean Jr. and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Donald MacLean Jr. at Vanderwerff Talent, Mirjam Vanderwerff last week.

In the open letter to Donald MacLean Jr., the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Donald MacLean Jr. for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Actor, Writer, Producer, Donald MacLean Jr., has not responded to the petition. Nor has Vanderwerff Talent, Mirjam Vanderwerff responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “Dumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Donald MacLean Jr. has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jana Sandler of Happy Madison Productions has also expressed interest in the screenplay.

Donald MacLean Jr. is a Actor, Writer, Producer known for Nurses (2020), Workin’ Moms (2017), The Craft: Legacy (2020), October Faction (2020) and is represented by Vanderwerff Talent, Mirjam Vanderwerff.

——————- READ MORE ——————-

Setup or hint at anything relevant that happens in Act II or Act III

For the remaining 20 pages, make sure to do the following:

FIRST THIRTY PAGES

The writer may have 30 pages in Act I to setup the entire story, but he only has ten pages to grab the reader. That’s accomplished by making sure you have all the components I listed above in the first ten pages.

You should know my prescription for this kind of story problem by now. Right — make a list. What are ten of the best movies and books you know that have no external villain in the mix? So what is keeping the hero and heroine apart in each story?

But maybe you’re not writing that kind of villain at all. Maybe your hero is the heroine’s antagonist, and vice-versa. In that case, the hero’s and heroine’s INTERNAL OPPOSITION are a big part of what’s getting in the way of the romance (which is almost always the case even if there is a strong external villain as well). And that is going to be the key to the age-old problem for romance writers: What is keeping the hero and heroine apart?

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