May 10, 2021

Edward Burns screenplay subject of prison petition

Edward Burns screenplay – Actor | Writer | Producer, Saving Private Ryan (1998) | She’s the One (1996) | The Brothers McMullen (1995)

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Edward Burns screenplay subject of prison petition

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Petition Addressing the Texas Judicial System Requests Support through Edward Burns’s “Dumbass”

Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?

19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Edward Burns and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Edward Burns production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.

PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.

SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.

It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.

To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/

About Edward Burns’s “Dumbass” Movie

The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Edward Burns and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.

Edward Burns

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Edward Burns website: https://www.amazon.com/

THE SUPERNATURAL HORROR

A monster flick involves a physical creature who presents a threat to the story’s characters. This type of horror usually has a protagonist who defeats the monster at a great physical and emotional price. See films like Godzilla and Lake Placid.

Edward Burns – THE MONSTER FLICK

A slasher tends to have a high body count, lots of gore and usually doesn’t have a central protagonist. If there is one, he’ll likely be killed off by the slasher. This slasher can be a guy with a big knife or a killer virus with no bounds. See movies like Texas Chain Saw Massacre and Cabin Fever.

In Act II:1 we will also see scenes of BONDING WITH ALLIES, and LOVE SCENES. This is one of the great pleasures of any story: seeing the hero/ine make lifelong friends or fall in love. Besides the more obvious romantic scenes, the love scenes can be between a boy and his dragon, as in How to Train Your Dragon; or between teammates, as in Harry Potter and Jaws; or a man and his father or a woman and her mother (some of the most successful books and movies, like The Godfather, How to Train Your Dragon, Terms of Endearment, and Steel Magnolias show these dynamics). Bonding scenes between allies often happen during the Training Sequence.

Edward Burns – I’d also like to point out that if you happen to have both an Assembling the Team and a Training sequence in your second act, that can add up to a whole fourth of your story right there! Awesome! You’re halfway through already!

And the fairy tale version of Gathering the Tools is a really useful structure to look at. Remember all those tales in which the hero or heroine was innocently kind to horrible old hags or helpless animals (or even apple trees), and those creatures and old ladies gave them gifts that turned out to be magical at just the right moment? Plant/Payoff and moral lesson at the same time.

In a love story or romantic comedy, the Training Sequence or Tools Sequence is often a Shopping Sequence or a Workout Sequence. The heroine, with the help of a mentor or ally, undergoes a transformation through acquiring the most important of tools: the right clothes and shoes and hairstyle. It’s worked since Cinderella —whose personal shopper/fairy godmother considerately made house calls. (See Arthur for the world’s loveliest example – can I have John Gielgud for my fairy godmother, please?)

by: Edward Burns – Actor | Writer | Producer, Saving Private Ryan (1998) | She’s the One (1996) | The Brothers McMullen (1995)