Elan Ruspoli screenplay – Talent Agent,
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Elan Ruspoli screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Elan Ruspoli’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Elan Ruspoli – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Elan Ruspoli and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Elan Ruspoli production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Elan Ruspoli’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Elan Ruspoli and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
Contact Elan Ruspoli:
Elan Ruspoli website: https://www.amazon.com/
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There is no help in a horror! Keep the helpers. Just kill them before they succeed in getting the characters out of danger!
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But also be aware that many stories that are not overtly mysteries or thrillers use the structure or elements of a classic mystery plot. The first Hangover film is a comedy, but it’s also a classically structured mystery: the groom disappears, and his groomsmen have to follow the clues left in a locked room to find him and return him to the wedding. The Harry Potter books and movies are fantasies, but they all follow a mystery plot.
Elan Ruspoli – If this is the genre you’re writing in, you will definitely benefit from breaking down several classics to see how these elements and sequences are handled. Murder on the Orient Express, The Silence of the Lambs, and Chinatown are great examples to analyze. (See the breakdown of Chinatown in Part Three for a specific discussion of these story elements.)
In a detective story, Act II, Part 1 often consists very specifically of INTERVIEWING WITNESSES, FOLLOWING CLUES, and LINING UP THE SUSPECTS, very often interspersed with ACTION SEQUENCES and ATTACKS ON THE HERO/INE. You will want to weave in RED HERRINGS and FALSE LEADS. And there’s another convention of the genre you’ll want to look at, which is THE DETECTIVE VOICING HIS/HER THEORY. Mysteries are by nature convoluted, because there are so many possible explanations for what’s going on, so don’t be afraid to have your detective just say what s/he’s thinking aloud. Your reader or audience will be grateful!
Also as already noted, the hero/ine’s plan will change, constantly — as s/he first takes the absolute minimal steps to achieve her or his goal, and that minimal effort inevitably fails. So then, often reluctantly, the hero/ine has to ESCALATE (or CHANGE) THE PLAN.
by: Elan Ruspoli – Talent Agent,