Giancarlo Esposito screenplay – Music Department | Actor | Producer, Breaking Bad (2009-2011) | The Usual Suspects (1995) | The Jungle Book (2016)

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Giancarlo Esposito screenplay subject of prison petition

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Petition Addressing the Texas Judicial System Requests Support through Giancarlo Esposito’s “Dumbass”

Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?

Giancarlo Esposito – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Giancarlo Esposito and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Giancarlo Esposito production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.

PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.

SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.

It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.

To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/

About Giancarlo Esposito’s “Dumbass” Movie

The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Giancarlo Esposito and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.

Giancarlo Esposito screenplay subject of prison petition

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Giancarlo Esposito website: https://www.amazon.com/

What if you have an ordinary guy thrown into an extraordinary situation? This doesn’t mean you can’t give him a memorable entrance. In Collateral we’re introduced to Jamie Foxx’s character as an L.A. cab driver. This seems pretty straightforward, but he immediately becomes memorable when he tries to impress the lady District Attorney in his cab with big talk of owning limo companies, etc. We know – and she knows – he’s just a cabbie with big dreams, but he’s suddenly become far more interesting.

In The Mummy when we first meet the female lead she’s the mousy librarian. She’s up on a ladder and sends bookshelf after bookshelf tumbling over like dominos. This isn’t a character we’re likely to forget.

Giancarlo Esposito – I don’t care if the protagonist is a mousy secretary. Use your creativity to give her a grand entrance. If done professionally, the commercial entrance will cover lots of areas. It’ll establish the character’s internal conflict, it’ll set the tone, mood and atmosphere of the story based on the protagonist’s POV (point of view) and most importantly, it’ll make the audience immediately interested in the character.

A man awakens to an alarm clock. We watch him shower, shave, get dressed, eat then go to work. Zzzzzzzz….that’s me snoring because I’ve fallen asleep from sheer boredom! Yet I can’t tell you how many times I’ve seen dull protagonist introductions. NO MORE!

So when you sit down to craft your own third act, try looking at the great third acts of movies and books that are similar to your own story, and see what those authors and filmmakers did to bring out the thematic depth and emotional impact of their stories. (We’ll be doing more of that in the next chapter too.)

Giancarlo Esposito – – And the wonderful final battle in The King’s Speech is just Colin Firth facing a microphone and delivering a nine-minute radio broadcast. But we’ve seen him fail this moment because of his speech impediment time and time again in SET UPS; and this time the STAKES couldn’t be higher: it’s his first radio broadcast as King, and he has to convince his already war-weary country to support a war against Hitler.

This is the best example I know of, ever, of a final battle that is thematic — and yet the impact is emotional and visceral. It’s not an intellectual treatise; you live that ending along with George, but also come away with the sense of what true heroism is.

There is no big glorious heroic showdown to be had, here, because it’s all the little grueling day-to-day, crazy-making battles that George has had with Potter all his life that have made the difference. And the genius of that film is that it shows in vivid and emotionally wrenching detail what would have happened if George had not had that whole lifetime of battles against Potter and for the town. In the end, even faced with prison, George makes the choice to live to fight another day, and is rewarded with the joy of seeing his town restored.

by: Giancarlo Esposito – Music Department | Actor | Producer, Breaking Bad (2009-2011) | The Usual Suspects (1995) | The Jungle Book (2016)