June 19, 2021

Gwynbly Inc asked to read prison screenplay

Petition asks Gwynbly Inc to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Gwynbly Inc (film production company) to read screenplay addressing Texas judicial system

Gwynbly Inc

The petition also names Joy Jorgensen & Chris Pine to participate in the film.

Dumbass screenplay could sway Texas 2022 election.

Gwynbly Inc & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?

EXCLUSIVE

Gwynbly Inc
Gwynbly Inc
In Texas, more than 2000 women have signed an open letter to Adam Sandler and Gwynbly Inc calling on Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Gwynbly Inc in Redondo Beach last week.

In the open letter to Gwynbly Inc, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Gwynbly Inc  for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Gwynbly Inc, Chris Pine or Joy Jorgensen have not responded to the petition. Nor has Jana Sandler responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “DUMBASS” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Gwynbly Inc has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jessica Kovacevic of Happy Madison Productions has also expressed interest in the screenplay.

Gwynbly Inc is a well known production company known for Captain Dad and a number of other cool movies and is represented by Doug Lucterhand.

——————- READ MORE ——————-

There are certain basic skills that the screenwriter needs to master, regardless of whether s/he is a tree or forest person. Screenwriting is crisp, clean and focused writing, more about clear storytelling than impressive rhetoric. It takes many writers, particularly those coming from a fiction background, quite a while to learn such an “unwriterly” form of writing.

Basic Skills

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One more thing before we turn theory into practice. Forest people are a bit ahead of the game now, because you’re going to jump right in and start writing script while tree people are working away on their paradigm charts and step outlines. Before you do, however, there are a few basic skills you need to be aware of.

In preparing to direct his first movie from his own screenplay, House of Games, David Mamet reflected that “the audience will understand the story through the medium of pictures, and the movie will be as good or bad as the story I wrote. That was the task I set myself in preparation: to reduce the script, a fairly verbal psychological thriller, to a silent movie.”

Revisualizing Your Story

You might say that I write as a forest person and rewrite as a tree person.

I usually write wearing both hats in this manner: I often begin as a forest person aided by the slightest scribbling of a three-act paradigm, a rough sense of my three major plot points. I let the story take me where it takes me, frequently checking myself that my hero is driving the story and not someone else. When I get off track, I make a mental note of it but continue ahead. The purpose is to finish a draft as soon as possible. When I do finish a draft, and after letting it sit for a bit, I come back and read it as a reader/viewer—and then I begin to think about my story as a tree person.

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