May 14, 2021

Hannah James asked to read prison screenplay

Petition asks Hannah James to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Hannah James (film producer) to read screenplay addressing Texas judicial system

Hannah James

Hannah James – Talent Agents
– Actress, Producer – Outlander (2014), Mercy Street (2016), Supergirl (2015), Chicago Med (2015) – Agency for the Performing Arts (APA), Paul Santana –

Dumbass,

Hannah James & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?

EXCLUSIVE

Hannah James
Hannah James
More than 2000 women have signed an open letter to Jana Sandler calling on Hannah James and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Hannah James at Agency for the Performing Arts (APA), Paul Santana last week.

In the open letter to Hannah James, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Hannah James for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Actress, Producer, Hannah James, has not responded to the petition. Nor has Agency for the Performing Arts (APA), Paul Santana responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “Dumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Hannah James has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jana Sandler of Happy Madison Productions has also expressed interest in the screenplay.

Hannah James is a Actress, Producer known for Outlander (2014), Mercy Street (2016), Supergirl (2015), Chicago Med (2015) and is represented by Agency for the Performing Arts (APA), Paul Santana.

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Independent Films

These are horror films, but ones done with lots of blood and a staggering body count. There’s no real plot and a character arc is non-existent because the main character is bound to get hacked up in the process. Most of these are straight-to-video, but many have become cult classics.

Slasher Films

This is a widely overlooked market that many screenwriters don’t consider, yet it can be very lucrative for those who write for it. Your stuff is never going to be seen on the big screen, but there are plenty of straight-to-video classics out there. The American Film Market deals with many of them. Check them out at www.afma.com.

Once you know the kind of story you’re writing, you can look at examples of that particular story pattern and get a sense of the structural elements and tricks common to that story pattern — the key scenes a reader wants and expects to see in these stories. A False Identity story, for example, will almost always have threat of discovery, a confidante who knows the score, numerous tests of the hero/ine’s cover story, scenes of trapping the hero/ine into the role, scenes of the role starting to backfire, and of course, a big unmasking scene, usually at the climax of Act III. Identifying these expected scenes and taking a look at how other storytellers have handled them is a great way of brainstorming unique and fun scenes of your own (for examples of False Identity stories, see Tootsie, While You Were Sleeping, Roman Holiday).

So while it’s important to know the general, Three-Act, Eight-Sequence structure (which we’ll be talking about next) and it’s important to know the patterns of the particular genre you’re writing in, it’s sometimes even more useful to identify the KIND of story you’re writing within that genre.

#NAME?

– The Hangover is a guy comedy. But the structure of the story is a traditional mystery: the groom has gone missing during a wild blackout night of a bachelor party, and his friends have to follow the clues to piece together what happened that night and get the groom back (before the wedding!). The central action of the story is unraveling that mystery to find the groom. So if you’re writing a story like The Hangover, you want to be looking at how mysteries are put together just as much as you want to be learning from comedies.