June 19, 2021

Hawthorne Films Inc asked to read prison screenplay

Petition asks Hawthorne Films Inc to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Hawthorne Films Inc (film production company) to read screenplay addressing Texas judicial system

Hawthorne Films Inc

The petition also names David Hayman & Michael J. Fox to participate in the film.

Dumbass screenplay could sway Texas 2022 election.

Hawthorne Films Inc & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?

EXCLUSIVE

Hawthorne Films Inc
Hawthorne Films Inc
In Texas, more than 2000 women have signed an open letter to Adam Sandler and Hawthorne Films Inc calling on Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Hawthorne Films Inc in Los Angeles last week.

In the open letter to Hawthorne Films Inc, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Hawthorne Films Inc  for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Hawthorne Films Inc, Michael J. Fox or David Hayman have not responded to the petition. Nor has Jana Sandler responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “DUMBASS” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Hawthorne Films Inc has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jessica Kovacevic of Happy Madison Productions has also expressed interest in the screenplay.

Hawthorne Films Inc is a well known production company known for Eleanor & Park and a number of other cool movies and is represented by Doug Lucterhand.

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But not everyone rides this bandwagon, including some successful screenwriters. DiAnne Olson Wosep interviewed Chris McQuarrie, the writer of The Usual Suspects, and came up with some confessions from a forest person:

Forest people can get very lonely in Hollywood. Today the left-brained approach to screenwriting that appeals so much to tree people has become a thriving cottage industry. Buzzwords are everywhere: paradigm, plot point, character arc, and most of all—structure, structure, structure!

Forest People: Creation Is Discovery

As a tree person, you’re going to be faced with more theories about screenwriting than you can digest. I’ll be your guide, pointing out the highlights as we go along.

There’s another useful function of subplots: it’s where your message goes.

Main plot and subplots all ask questions: Can Ruby “let go” and let her daughter live her own life? Can she sell one of the songs she’s written? Can she again find happiness in a relationship? The story develops how all the answers come out yes.

I underscore this story spine with two subplots: Ruby’s career as a closet country songwriter and her growing romance with an out-of-town lawyer. Both are related to her growing sense of independence—even the romance, which is based on more equal terms than any relationship she has had in the past.

In my own work, I like to establish two subplots. Ruby’s Tune, a character-driven story of mine that has been optioned for five years by a true-believing producer, is about a woman who tries to save her daughter from making the same mistakes she did—and with the same man. “Letting go” is what Ruby must learn how to do.

Hawthorne Films Inc

2411 Zorada Drive

Los Angeles

90046-1745

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