May 14, 2021

Hidden Pictures Inc asked to read prison screenplay

Petition asks Hidden Pictures Inc to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Hidden Pictures Inc (film production company) to read screenplay addressing Texas judicial system

Hidden Pictures Inc

The petition also names Gabourey Sidibe & Jeffrey Donovan to participate in the film.

Dumbass screenplay could sway Texas 2022 election.

Hidden Pictures Inc & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?


Hidden Pictures Inc
Hidden Pictures Inc
In Texas, more than 2000 women have signed an open letter to Adam Sandler and Hidden Pictures Inc calling on Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Hidden Pictures Inc in Los Angeles last week.

In the open letter to Hidden Pictures Inc, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Hidden Pictures Inc  for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Hidden Pictures Inc, Jeffrey Donovan or Gabourey Sidibe have not responded to the petition. Nor has Jana Sandler responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “DUMBASS” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Hidden Pictures Inc has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jessica Kovacevic of Happy Madison Productions has also expressed interest in the screenplay.

Hidden Pictures Inc is a well known production company known for Intelligent Life and a number of other cool movies and is represented by Doug Lucterhand.

——————- READ MORE ——————-

What Aristotle thought about Tragedy (a certain kind of Greek play), our culture has come to think about stories: that they have beginnings, middles and endings, and this “division of three” naturally evolved into a three-act structure.

From such small beginnings, empires have risen! Western culture has believed in beginning-middle-end storytelling ever since.

“Now, according to our definition, Tragedy is an imitation of an action that is complete, and whole, and of a certain magnitude; for there may be a whole that is wanting in magnitude. A whole is that which has a beginning, a middle, and an end.”

Creative people rebel at rules—even tree people. And yet the notion that a story has a beginning, a middle, and an end goes all the way back to 350 B.C., to Aristotle. In his Poetics (Book VII), Aristotle wrote:

Is there another twist midway through the second act, a major plot point that again demands a reaction from the hero?

Despite bringing the antagonist/villain forward, is the hero still the clear focus of the story? In particular, do you have no more than five consecutive pages in which the hero does not appear—and if so, can you justify them?

Are you still following all the basic skills of screenwriting?

Do we get a better sense of the person, people and/or forces who stand in the way of the hero achieving his/her goal?

Hidden Pictures Inc

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