Jessica Lange screenplay – Actress | Producer | Soundtrack, Tootsie (1982) | King Kong (1976) | Blue Sky (1994)
FOR IMMEDIATE RELEASE
Jessica Lange screenplay subject of prison petition
FREE: download the script by Jessica Lange today!
Petition Addressing the Texas Judicial System Requests Support through Jessica Lange’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Jessica Lange – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Jessica Lange and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Jessica Lange production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Jessica Lange’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Jessica Lange and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
Contact Jessica Lange:
Jessica Lange website: https://www.amazon.com/
Film dialogue is real-life dramatized. It has to be or there’d be tons of fillers and junk information that would put most audiences to sleep.
How Film Dialogue Differs From Real-Life Dialogue
Jessica Lange – What it means is the dialogue isn’t realistic to the character. Go back and take a look at the character’s setup. If you haven’t set someone up as a rebel and they speak like one, then the dialogue will sound unrealistic. However, if you’ve done a proper job at setting the character up as a rebel his dialogue will sound realistic for his character. You don’t have to “take time” to set him up as a rebel if you’ve given him a commercial entrance where his “rebel” traits are obvious.
Realistic Dialogue Does Not Mean Real-Life Dialogue
The midpoint climax occurs in a highly suspenseful sequence in which the city officials have refused to shut down the beaches, so Sheriff Brody is out there on the beach keeping watch (as if that’s going to prevent a shark attack!), the Coast Guard is patrolling the ocean – and, almost as if it’s aware of the whole plan, the shark swims into an unguarded harbor where it attacks a man and for a horrifying moment we think that it has also killed Brody’s son (really it’s only frightened him into near paralysis). It’s a huge climax and adrenaline rush. (This is about 60 minutes and 30 seconds in.) Brody’s family has been threatened (“Now it’s PERSONAL”). And as he looks out to sea, we and he realize that no one’s going to do this for him; he’s going to have to go out there on the water, his greatest fear, and hunt this shark down himself.
Jessica Lange – MIDPOINT
It’s a devastating scene – just as devastating as a shark attack, and a crucial turning point in the story, which is why I’d call it the act climax. Brody is going to have to take action himself instead of relying on the city fathers (in fact, the city fathers have just turned into his opponents).
Jaws is a 2 hour, 4 minute movie, and I would say the first act climax is that big crowd scene 30 minutes in when every greedy fisherman on the East Coast is out there on the water, trying to hunt the shark down for the bounty. One team catches a tiger shark and everyone celebrates in relief. Hooper says the shark is too little to be the one they’re looking for and wants to cut it open, but the mayor refuses. We know that this isn’t the right shark, and we see that Sheriff Brody feels that way as well, but he’s torn; he wants it to be the right shark so this nightmare will be over. But the real, emotional climax of the act is at the very end of the sequence when Mrs. Kitner strides up to Brody and slaps him, saying that if he’d closed the beaches her son would still be alive. This is the accusation – and truth – that compels Brody to take action in the second act. (34 minutes)
by: Jessica Lange – Actress | Producer | Soundtrack, Tootsie (1982) | King Kong (1976) | Blue Sky (1994)