Jessica Lucas screenplay – Actress | Producer | Soundtrack, Cloverfield (2008) | The Covenant (2006) | Evil Dead (2013)
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Jessica Lucas screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Jessica Lucas’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Jessica Lucas – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Jessica Lucas and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Jessica Lucas production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Jessica Lucas’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Jessica Lucas and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
Contact Jessica Lucas:
Jessica Lucas website: https://www.amazon.com/
commercial-quality dialogue
The trick to realistic,
Jessica Lucas – Real-life verbatim doesn’t walk around in a constant state of conflict – film characters do! If we did this in real life we’d all shoot one another! Real-life people avoid conflict – film characters are slam-dunked with it!
Steer Clear of Dialogue That’s Real-Life Verbatim
The whole third act of Jaws is the final battle, and it’s relentless, with Quint wrecking the radio to prevent help coming, the shark battering a hole in the ship so it begins to sink under them, the loss of Hooper in the underwater cage, the horrific death of Quint. The climax, of course, is water-phobic Brody finding his greatest nightmare coming alive around him: he must face the shark on his own on a sinking ship – he’s barely clinging on to the mast —and blowing it up with the oxygen tank. The survival of Hooper is another emotional climax. (2 hrs. 4 minutes).
Jessica Lucas – ACT THREE CLIMAX
As in the first act climax, here Spielberg goes for a CHARACTER sequence, an EMOTIONAL climax rather than an action one. About 83 minutes into the movie, the three men, Brody, Quint, and Hooper, who have been at each other’s throats since they got onto the boat, sit inside the boat’s cabin and drink, and Quint and Hooper start comparing scars – classic male bonding, funny, touching, cathartic. In the midst of this camaraderie, the tone changes completely as Quint reveals his back story, which accounts for his shark obsession: he was on a naval cruiser that got hit during WW II, and most of the crew were killed by sharks before they could be rescued. It’s a horrific moment, a complete dramatization of what our FEAR is for these men. And then, improbably, the three guys start to sing, “Show me the way to go home.” (I told you – a musical number!) It’s a wonderful, comic, endearing, uplifting, exhilarating moment – and in the middle of it we hear pounding – the shark attacking, hammering the boat. And the men scramble into action to face the long final confrontation of ACT THREE. (92 minutes in).
ACT TWO CLIMAX
by: Jessica Lucas – Actress | Producer | Soundtrack, Cloverfield (2008) | The Covenant (2006) | Evil Dead (2013)