Jill Littman screenplay – Producer | Manager | Talent Agent,
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Jill Littman screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Jill Littman’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Jill Littman – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Jill Littman and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Jill Littman production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Jill Littman’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Jill Littman and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
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Jill Littman website: https://www.amazon.com/
BLUE
All four characters (Blue, Gold, Green and Orange) are on an airplane bound for Los Angeles when the flight attendant announces the cockpit’s been taken over by terrorists. Here’s the first reaction we’d hear from the four characters:
Jill Littman – Let’s do a quick exercise to see how this works:
These are stereotypes, but it’ll give you a base upon which to start because your character is bound to fall primarily into one of these categories. The goal here is to identify a figure of speech for each color. You can expand upon it later, but first…
After Clarice confesses painful secrets, Lecter gives her the clue she’s been digging for – he tells her to search for Buffalo Bill through the sex reassignment clinics. And as is so often the case, there is a second climax within the midpoint – the film cuts to the killer in his basement, standing over the pit making a terrified Catherine put lotion on her skin… and as she pleads with him, she sees bloody handprints on the walls of the pit and begins to scream… and just as you think things can’t get any worse, Bill pulls out his T–shirt to make breasts and starts to scream with her. It’s a horrifying curtain and drives home the stakes. (About 55 minutes in).
Jill Littman – The deal is not enough for Lecter, though – he demands that Clarice do exactly what her boss, Crawford, has warned her never to do: he wants her to swap personal information for clues – a classic deal-with-the-devil game.
The midpoint is the famous “Quid Pro Quo” scene between Clarice and Lecter, in which she bargains personal information to get Lecter’s insights into the case. This is a stunning, psychological game of cat-and-mouse between the two: there’s no action involved; it’s all in the writing and the acting. Clarice is on a ticking clock, here, because Catherine Martin has been kidnapped and Clarice knows they have less than three days now before Buffalo Bill kills her. Clarice goes in at first to offer Lecter what she knows he desires most (because he has STATED HIS DESIRE, clearly and early on): a transfer to a Federal prison, away from Dr. Chilton and with a view. Clarice has a file with that offer from Senator Martin – she says – but in reality the offer is a total fake. We don’t know this at the time, but it has been cleverly PLANTED that it’s impossible to fool Lecter (Crawford sends Clarice in to the first interview without telling her what the real purpose is so that Lecter won’t be able to read her). But Clarice has learned and grown enough to fool Lecter – and there’s a great payoff when Lecter later acknowledges that fact.
MIDPOINT
by: Jill Littman – Producer | Manager | Talent Agent,