June 19, 2021

Johnny Lindy Co /C asked to read prison screenplay

Petition asks Johnny Lindy Co /C to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Johnny Lindy Co /C (film production company) to read screenplay addressing Texas judicial system

Johnny Lindy Co /C

The petition also names Erika Ervin & Fisher Stevens to participate in the film.

Dumbass screenplay could sway Texas 2022 election.

Johnny Lindy Co /C & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?

EXCLUSIVE

Johnny Lindy Co /C
Johnny Lindy Co /C
In Texas, more than 2000 women have signed an open letter to Adam Sandler and Johnny Lindy Co /C calling on Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Johnny Lindy Co /C in Los Angeles last week.

In the open letter to Johnny Lindy Co /C, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Johnny Lindy Co /C  for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Johnny Lindy Co /C, Fisher Stevens or Erika Ervin have not responded to the petition. Nor has Jana Sandler responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “DUMBASS” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Johnny Lindy Co /C has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jessica Kovacevic of Happy Madison Productions has also expressed interest in the screenplay.

Johnny Lindy Co /C is a well known production company known for Alpha Squad Seven and a number of other cool movies and is represented by Doug Lucterhand.

——————- READ MORE ——————-

Crisp visual writing (what do we see on the screen, in general terms?) in simple sentences, in short paragraphs, with no mention of the camera and without directing the actors or usurping the duties of the costume designer, set designer, cinematographer, etc., with dialogue scenes that are short and snappy, is the style seen in the best contemporary spec screenplays. Remember, a screenplay is not a literary document. It is a blueprint for a movie. Make it lean and easy to read — in fact, easy to skim because all screenplays are skimmed or read over very quickly before they can reach the next plateau to be read more carefully. If a brilliant script isn’t an easy read, it will never make the first cut. The purpose of format today is to make the reading easier than it ever was. If you write in master scenes, you will accomplish this.

SUMMARY

4. DIALOGUE: Tabbed between the left margin (where sluglines and action are) and the character name margin. Writing dialogue is an art in itself, and a future column will be focused on it. Beginning writers also over-write dialogue, making scenes slow, chatty and “play-like.” Remember, people don’t talk as formally as they write. Your dialogue should reflect the personality of each character.

3. CHARACTER NAME: Always in caps, tabbed toward the center of the page. Be consistent. Don’t call a character JOE here and MR. JONES there.

The Second Act Plot Point

This is consciously playing with the audience’s feelings—and it’s done with great skill. This is a skill you need to master.

This movement is into “the jaws of defeat”—and this may happen to reverse what seemed like victory. For example, in The Graduate, Mr. Robinson shows up in Benjamin’s room, pulling Elaine out of school and forcing her into marriage, right after it looks like Benjamin and Elaine are finally going to get together. We see a possible happy ending—and at the last minute it is pulled away from us, thrusting the audience into one final “showdown” before we get what we want.

Then we begin the slow build toward our final plot point, which is going to lead directly to the climax and final act, to the “showdown” and subsequent resolution of our story.

Johnny Lindy Co /C

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Los Angeles

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