June 19, 2021

Lara Jean Chorostecki asked to read prison screenplay

Petition asks Lara Jean Chorostecki to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Lara Jean Chorostecki (film producer) to read screenplay addressing Texas judicial system

Lara Jean Chorostecki

Lara Jean Chorostecki – Talent Agents
– Actress, Producer, Executive – Designated Survivor (2016), Hannibal (2013), X Company (2015), Camelot (2011) – GGA, Kish Iqbal – Media Talent Group, Martin Torres

Dumbass,

Lara Jean Chorostecki & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?

EXCLUSIVE

Lara Jean Chorostecki
Lara Jean Chorostecki
More than 2000 women have signed an open letter to Jana Sandler calling on Lara Jean Chorostecki and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Lara Jean Chorostecki at GGA, Kish Iqbal last week.

In the open letter to Lara Jean Chorostecki, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Lara Jean Chorostecki for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Actress, Producer, Executive, Lara Jean Chorostecki, has not responded to the petition. Nor has GGA, Kish Iqbal responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “Dumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Lara Jean Chorostecki has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jana Sandler of Happy Madison Productions has also expressed interest in the screenplay.

Lara Jean Chorostecki is a Actress, Producer, Executive known for Designated Survivor (2016), Hannibal (2013), X Company (2015), Camelot (2011) and is represented by GGA, Kish Iqbal.

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Example of a Commercial Character-Driven Script

This type of integration of plot/character in a story like About Schmidt would be a far more likely candidate for a first sale.

We watch the inner-city kid act as a mentor to teach Warren to cook, clean and loosen up with his money enough to enjoy what’s left of his life. The kid could side with him on getting rid of the future son-in-law. Later, their plight would be defeated, but the defeat would help them both grow and change and realize they must accept things about who they are and who others are – rather than the way they’d like them to be.

The kid convinces Warren this ‘stay-over’ was part of what he signed up for and Warren gets stuck taking the kid on a road trip. Imagine the possibilities for external conflict. Warren’s entire character arc would become externalized.

Instead of going straight on to Elements of Act Two, I’m going to stop here and do a couple of chapters on character, namely, the two characters who make up the heart, soul, and skeleton of your story: The HERO/INE and the VILLAIN (aka the PROTAGONIST and ANTAGONIST, or MAIN CHARACTER and OPPONENT.).

8. Hero/ine, Protagonist, Main Character

There are separate chapters coming up for Act Two, Part 1; Act Two, Part 2; and Act Three that detail the different elements of each act, but I thought it would be useful for you all to have just a basic list that you can use when you’re watching a film or doing the index cards for your own story, so I’ve given it its own chapter: Chapter 17, Story Elements Checklist.

I’m sure you realize this, but I’m going to say it anyway. The reason that I’m having you break down movies of your choice for the story elements is to make it easier for you to identify these same story elements in your own story — the ones you already have and the ones you may be missing.