June 19, 2021

Louis Lombardi asked to read prison screenplay

Petition asks Louis Lombardi to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Louis Lombardi (film producer) to read screenplay addressing Texas judicial system

Louis Lombardi

Louis Lombardi – Talent Agents
– Actor, Producer, Writer – 24 (2001), The Sopranos (1999), The Animal (2001), Suicide Kings (1997) – LoveStone Agency, Tony Martinez – Spire Artists Management, Teresa Thornton

Dumbass, In-Security, What’s it Like in There?

Louis Lombardi & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?


Louis Lombardi
Louis Lombardi
More than 2000 women have signed an open letter to Jana Sandler calling on Louis Lombardi and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Louis Lombardi at LoveStone Agency, Tony Martinez last week.

In the open letter to Louis Lombardi, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Louis Lombardi for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Actor, Producer, Writer, Louis Lombardi, has not responded to the petition. Nor has LoveStone Agency, Tony Martinez responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “Dumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Louis Lombardi has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jana Sandler of Happy Madison Productions has also expressed interest in the screenplay.

Louis Lombardi is a Actor, Producer, Writer known for 24 (2001), The Sopranos (1999), The Animal (2001), Suicide Kings (1997) and is represented by LoveStone Agency, Tony Martinez.

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-Low-Budget Recommendation: Avoid big stunts. How do you get around this? There are several possibilities. For explosions, just write BIG BOOM and show the character’s reaction, as opposed to showing the actual explosion. For car chases, keep to under 2 minutes or come up with something less cliché than a car chase, like a unique foot chase.



(While we’re on the subject, I highly recommend, again, Christopher Vogler’s The Writer’s Journey and John Truby’s Anatomy of Story for in-depth discussions on archetypal characters such as the Herald, Mentor, Shapeshifter, Threshold Guardian, and Trickster/Fool.)

In this scene (or sequence), there is often a character who serves the archetypal function of a THRESHOLD GUARDIAN or GUARDIAN AT THE GATE, who gives the hero/ine trouble or a warning at this moment of entry. It’s a much-used but often powerfully effective suspense technique that always gets the pulse racing just a little faster, which is pretty much the point of suspense. At the very least, a guardian at the gate will give the hero/ine conflict in a scene.

One technique filmmakers use to really make the Into the Special World moment special is CONTRAST. Take some time to think about what your hero/ine’s ORDINARY WORLD looks like, and what is different and maybe even magical (even in a dark way) about the SPECIAL WORLD. (Much more about this in Chapter 25, Expanding on Key Story Elements.)

This step might come in the first act (it’s sometimes the Sequence One Climax), or somewhat later in the second act, but it’s generally the end or beginning of a sequence: think of Alien (the landing on the planet to investigate the alien ship), flying down to Colombia in Romancing the Stone, flying to Rio in Notorious, stopping the car for the night at the Bates Motel in Psycho. It’s often the beginning of an actual, physical journey in an action movie; in a ghost story it is entering the haunted house (or haunted anything). It’s a huge moment and deserves special weight.