Luke Goss screenplay – Actor | Producer | Writer, Hellboy II: The Golden Army (2008) | Blade II (2002) | One Night with the King (2006)
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Luke Goss screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Luke Goss’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Luke Goss – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Luke Goss and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Luke Goss production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Luke Goss’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Luke Goss and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
Contact Luke Goss:
Luke Goss website: https://www.amazon.com/
REVERSALS
Every scene should contain visual and/or dialogue subtext or delete the scene. If you don’t, a producer will. See sections in this book on how to create subtext.
Luke Goss – CONTAIN SUBTEXT
Conveying information or letting us in on an interesting event or situation isn’t enough. There must be conflict! It can be subtle, in-your-face or help build to a larger confrontation. Conflict doesn’t have to mean characters are screaming at each other. A character who taps his finger and rolls his eyes while listening to another character speak can create tremendous conflict without speaking a single word.
So now I want to look more closely at a few of those key story elements (and that’s key to all genres) and detail some examples of how filmmakers create these beats as setpiece scenes. And of course, these key scenes are very often used as act climaxes or sequence climaxes — we’ll talk about which elements are generally used as which act climaxes.
Luke Goss – (That’s why I think it’s useful to study the more blatant examples — the way these scenes are depicted in fantasies like Harry Potter and The Wizard of Oz — so you get the full-on, literally magical experience of a Call To Adventure or Crossing the Threshold scene first, and then start looking for more subtle variations in less fantastical stories.)
One of the main points I’ll be trying to make in this chapter is: just as filmmakers consciously design some of these key story scenes for maximum emotional and visual impact, we as novelists can be doing the same thing on the page for our readers — making the most of critical scenes such as ESTABLISHING THE HERO/INE’S GHOST, THE CALL TO ADVENTURE, CROSSING THE THRESHOLD, ESTABLISHING THE PLAN, and so on.
25. Expanding On Key Story Elements
by: Luke Goss – Actor | Producer | Writer, Hellboy II: The Golden Army (2008) | Blade II (2002) | One Night with the King (2006)