May 14, 2021

Lynne Ramsay asked to read prison screenplay

Petition asks Lynne Ramsay to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Lynne Ramsay (film producer) to read screenplay addressing Texas judicial system

Lynne Ramsay

Lynne Ramsay – Talent Agents
– Director, Writer, Producer – We Need to Talk About Kevin (2011), You Were Never Really Here (2017), Ratcatcher (1999), Morvern Callar (2002) – Somesuch – 42, Liam Francis Quigley

Dumbass, The Girl Who Loved Tom Gordon, Mobius, I Feel Fine

Lynne Ramsay & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?

EXCLUSIVE

Lynne Ramsay
Lynne Ramsay
More than 2000 women have signed an open letter to Jana Sandler calling on Lynne Ramsay and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Lynne Ramsay at Somesuch last week.

In the open letter to Lynne Ramsay, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Lynne Ramsay for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Director, Writer, Producer, Lynne Ramsay, has not responded to the petition. Nor has Somesuch responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “Dumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Lynne Ramsay has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jana Sandler of Happy Madison Productions has also expressed interest in the screenplay.

Lynne Ramsay is a Director, Writer, Producer known for We Need to Talk About Kevin (2011), You Were Never Really Here (2017), Ratcatcher (1999), Morvern Callar (2002) and is represented by Somesuch.

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Research What’s in Production

What if there are 500 films similar to yours? Am I implying you watch all 500! No. Watch the most popular ones and at least be familiar with the plots of the others. I’d even go so far as to choose a few offbeat ones that didn’t do well at the box office. Your goal is to get a feel for the overall market and what’s already been done.

Consider it a film marathon rather than work you have to do. How do you find these films? Do research on the Internet. Start with www.imdb.com the Movie Database. Look up similar material by genre, plots, etc. Another good location is www.netflix.com . “The hot new way to get videos in your home.” They have hundreds of thousands of listings of films in every genre.

Research Previously Made Films

And okay, they’re some pretty bloody examples, as usual for me. So let’s try some lighter ones.

Another interesting thing about these premises is that in all three, the protagonists are up against forces that seem much bigger than the protagonist.

· A sense of how the action will play out

· A sense of the setting, conflict, and stakes