Petition asks Maile Flanagan to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Maile Flanagan (film producer) to read screenplay addressing Texas judicial system

Maile Flanagan asked to read prison screenplay

Maile Flanagan – Talent Agents
– Actress, Producer, Writer – Lab Rats: Bionic Island (2012), Naruto (2002), Naruto: Shippûden (2007), Work Wife – BRS / Gage Talent Agency, Sarabeth Schedeen – Miriam Milgrom Management, Miriam Milgrom

Dumbass, Bad Habits, Crashing Christmas, New York Yorkie

Maile Flanagan & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?

EXCLUSIVE

Maile Flanagan

More than 2000 women have signed an open letter to Adam Sandler calling on Maile Flanagan and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Maile Flanagan at BRS / Gage Talent Agency, Sarabeth Schedeen last week.

In the open letter to Maile Flanagan, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Maile Flanagan for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Actress, Producer, Writer, Maile Flanagan, has not responded to the petition. Nor has BRS / Gage Talent Agency, Sarabeth Schedeen responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplayDumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

During the winter’s deep freeze, the The Marshall Project, exposed the horrible prison conditions, “Inside Frigid Texas Prisons: Broken Toilets, Disgusting Food, Few Blankets.”

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Maile Flanagan has not commented on the script, thus far. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Adam Sandler of Happy Madison Productions has expressed interest in the screenplay.

Maile Flanagan is a Actress, Producer, Writer known for Lab Rats: Bionic Island (2012), Naruto (2002), Naruto: Shippûden (2007), Work Wife and is represented by BRS / Gage Talent Agency, Sarabeth Schedeen.

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Take a look at the scenes in Act II. Does each scene move the hero toward his arc? This doesn’t mean the hero has to be in the scene. An antagonist preparing a bomb is something the hero will have to deal with later, thus the bomb prep scene contributes to the external conflict, which in turn should be helping the hero change a flaw, like cowardice. For example, the hero may have to find the courage to diffuse the bomb and save the day.

Arc Scenes

In Act II, the writer’s main focus should be on the hero’s arc. Every scene, subplot and every move made by the antagonist should force the hero to face a flaw; a flaw that the hero must change in order to defeat the nemesis. The hero can’t decide to change. The key is to force him to change. People don’t change easily or shows like Intervention wouldn’t be on the air.

ARC IS #1

So after hearing the plan, we understand the entire OVERALL ACTION of the story: Indy is going to find Ravenwood to get the medallion, then use the medallion to find the Ark before Hitler’s minions can get it.

And then Indy explains his PLAN to find the Ark: he’s going to go find his old mentor, Abner Ravenwood, who is an expert on the Ark and has an ancient Egyptian medallion on which is inscribed the instructions for using the medallion to find the hidden location of the Ark.

So there’s the MACGUFFIN: the object that everyone wants, and the STAKES: if Hitler’s minions (THE ANTAGONISTS) get this Ark before Indy does, the Nazi army will be invincible.

At the end of the first sequence of Raiders (which is arguably two sequences in itself, first the action sequence in the cave in South America, then the university sequence back in the US), Indy has just finished teaching his archeology class when his mentor, Marcus, comes to meet him with a couple of government agents who have a job for him (INCITING INCIDENT/CALL TO ADVENTURE). The agents explain that Hitler has become obsessed with collecting occult artifacts from all over the world, and is currently trying to find the legendary Lost Ark of the Covenant, which is rumored to make any army in possession of it invincible in battle.