May 18, 2021

McG asked to read prison screenplay

Petition asks McG to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  McG (film producer) to read screenplay addressing Texas judicial system


McG – Talent Agents
– Producer, Additional Crew, Director – Charlie’s Angels: Full Throttle (2003), Terminator Salvation (2009), The Babysitter: Killer Queen (2020), We Are Marshall (2006) – William Morris Endeavor (WME) Entertainment, Philip Raskind – Management 360, Daniel Rappaport

Dumbass, A Boy Named Shel, Uglies, True Lies

McG & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?


More than 2000 women have signed an open letter to Jana Sandler calling on McG and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for McG at William Morris Endeavor (WME) Entertainment, Philip Raskind last week.

In the open letter to McG, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on McG for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Producer, Additional Crew, Director, McG, has not responded to the petition. Nor has William Morris Endeavor (WME) Entertainment, Philip Raskind responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “Dumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

McG has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jana Sandler of Happy Madison Productions has also expressed interest in the screenplay.

McG is a Producer, Additional Crew, Director known for Charlie’s Angels: Full Throttle (2003), Terminator Salvation (2009), The Babysitter: Killer Queen (2020), We Are Marshall (2006) and is represented by William Morris Endeavor (WME) Entertainment, Philip Raskind.

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Believe it or not, 99% of writers are pretty damn good at coming up with unique concepts. Where they fail is coming up with a concept that forces a hero to change! These two, the internal and external conflicts, should be intertwined or the plot won’t work as a film. A unique concept isn’t enough. The audience wants to care about the hero. They want to identify with him and the only way to accomplish this is via the internal conflict. Take a look at the unique concept you’ve come up with and find a way to use it to force the hero to change a flaw. Remember, the story’s about changing a hero not about the cool aliens that landed on someone’s front lawn….it’s about how the guy whose front lawn they landed on is going to have to change his ways in order to deal with the aliens.


This is the #1 error writers make in regards to Act I. I can’t tell you how many screenplays I’ve read and I’m on page 31, 52, 80 and I still have no idea what the hero’s internal conflict is. The entire story should be about a flaw that the external conflict forces the hero to change! The easiest way to avoid this script death trap is to introduce the hero’s internal conflict the first time we meet him. In fact, it should be introduced BEFORE the external conflict. Show us his weakness first! In Night at the Museum, we meet a guy who can’t hold a job long before he ends up at a job where everything in the museum comes alive at night.


Written by Harald Kloser and Roland Emmerich


I’m going to start, improbably, with the actioner 2012.

Let’s look at some examples of how plans work.