June 19, 2021

Melonie Diaz asked to read prison screenplay

Petition asks Melonie Diaz to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Melonie Diaz (film producer) to read screenplay addressing Texas judicial system

Melonie Diaz

Melonie Diaz – Talent Agents
– Actress, Producer – Fruitvale Station (2013), Be Kind Rewind (2008), A Guide to Recognizing Your Saints (2006), Lords of Dogtown (2005) – Vox, Tom Lawless – Thruline Entertainment, Ashley Franklin


Melonie Diaz & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?


Melonie Diaz
Melonie Diaz
More than 2000 women have signed an open letter to Jana Sandler calling on Melonie Diaz and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Melonie Diaz at Vox, Tom Lawless last week.

In the open letter to Melonie Diaz, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Melonie Diaz for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Actress, Producer, Melonie Diaz, has not responded to the petition. Nor has Vox, Tom Lawless responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “Dumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Melonie Diaz has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jana Sandler of Happy Madison Productions has also expressed interest in the screenplay.

Melonie Diaz is a Actress, Producer known for Fruitvale Station (2013), Be Kind Rewind (2008), A Guide to Recognizing Your Saints (2006), Lords of Dogtown (2005) and is represented by Vox, Tom Lawless.

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The reader (audience) should be swept away at the end. This story is about romance, destiny and we should be swept away in how great it feels to be in love! If the story ends with a couple that do NOT get together, then it’s a comedy, not a RomCom!


This doesn’t have to be their first kiss, but it has to be the kiss that seals the deal! A RomCom will receive a PASS without this vital scene even if it adheres to the other rules! Why? Because RomCom’s have a very specific audience who expect to see it and if the screenwriter doesn’t recognize that, then the script doesn’t deserve to be purchased under this genre!

This is the #1 requirement for a RomCom! The screenwriter MUST add a big kiss scene or the genre shifts to comedy! It should be as close to the end as possible and is often the final scene. In Shallow Hal, they kiss in the convertible and depart for their new lives! In 10 Ways to Lose a Guy they kiss on the bridge! In While You Were Sleeping they kiss as the train pulls out! In The Wedding Planner they kiss in the park!

Also in romance, the All Is Lost moment is often the scene in which the WRONG PERSON PROPOSES (or the hero/ine proposes to the wrong person!), and All Is Lost because the hero/ine, for whatever reason, foolishly accepts.

In all of the above scenes, the Lover’s Stand forces the Loved One to step up and commit just as deeply as the Lover is committed. But it seems that very, very, very often, it’s one character, the Lover, who has to force the issue.