Michael Kenneth Williams screenplay – Actor | Producer | Additional Crew, The Wire (2002-2008) | 12 Years a Slave (2013) | Assassin’s Creed (2016)
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Michael Kenneth Williams screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Michael Kenneth Williams’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Michael Kenneth Williams – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Michael Kenneth Williams and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Michael Kenneth Williams production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Michael Kenneth Williams’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Michael Kenneth Williams and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
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Scene numbers run down the sides of a script next to the primary slug indicator. I’ve recently had scripts submitted for coverage with the scene numbers included. If a screenwriter submits a script to a production company with scene numbers, it probably won’t be read.
Scene Numbers
Michael Kenneth Williams – Single space after the final description or dialogue, then write FADE OUT. It’s right justified and followed by a period.
FADE OUT
EX-SEX
Michael Kenneth Williams – Can be a scene, or a whole premise, in which the hero/ine bets friends that s/he — usually he — can bed or dump a lover in a certain timeframe (How to Lose A Guy in Ten Days). Or some other bet that leads to a romantic entanglement (Pygmalion, My Fair Lady).
THE BET
A staple of all genres, often used very unconvincingly, so be careful. Some good examples: In Leap Year, Anna needs to get to Dublin by Leap Day to propose to her reluctant boyfriend. In The Proposal, Margaret and Andrew have four days to get to know each other well enough to convincingly pass themselves off as married to a suspicious INS agent. At the climax of When Harry Met Sally, Harry is desperate to get to a New Year’s Eve party in time to kiss Sally at the stroke of midnight, something he utterly failed to do the year before.
by: Michael Kenneth Williams – Actor | Producer | Additional Crew, The Wire (2002-2008) | 12 Years a Slave (2013) | Assassin’s Creed (2016)