May 10, 2021

Natasha Richardson screenplay subject of prison petition

Natasha Richardson screenplay – Actress | Producer | Soundtrack, Asylum (2005) | The Parent Trap (1998) | Wild Child (2008)


Natasha Richardson screenplay subject of prison petition

download the script by Natasha Richardson today! 

Petition Addressing the Texas Judicial System Requests Support through Natasha Richardson’s “Dumbass”

Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?

19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Natasha Richardson and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Natasha Richardson production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.

PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.

SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.

It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.

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About Natasha Richardson’s “Dumbass” Movie

The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Natasha Richardson and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.

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Here’s an example:

Natasha Richardson – This usually results in the screenwriter overwriting a scene’s description. If you hone a scene down to description that’s only part of the action then you’ll incorporate the two into a cohesive and professionally written piece.

The #2 pitfall I see is writing description that’s not incorporated into the action!

· YA is very often written in FIRST PERSON — or a very close third. You are in the thoughts and skin of your protagonist.

Natasha Richardson – The only real difference in a YA book is the age of the hero/ine and main characters, although there are some specific themes, elements, and techniques that are very popular in YA.

So when you’re sitting down with your new YA project to brainstorm, and making your Top Ten movie list, it’s often more useful to look at adult movies (not those adult movies, but you know, adult!) and books in the genre than it is to look at teen movies, simply because there are more, and usually better, adult movies out there with the structural patterns you’re likely to want to study and learn from.

Actually, YA isn’t a genre. It’s an umbrella for all genres. The structure patterns for whatever genre you’re writing in apply just as completely to a YA book in that genre (or subgenre, or cross-genre) as they do to any adult book in the genre.

by: Natasha Richardson – Actress | Producer | Soundtrack, Asylum (2005) | The Parent Trap (1998) | Wild Child (2008)