June 20, 2021

New Wave Entertainment asked to read prison screenplay

Petition asks New Wave Entertainment to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  New Wave Entertainment (film production company) to read screenplay addressing Texas judicial system

New Wave Entertainment

The petition also names Rachele Brooke Smith & Edward Norton to participate in the film.

Dumbass screenplay could sway Texas 2022 election.

New Wave Entertainment & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?


New Wave Entertainment
New Wave Entertainment
In Texas, more than 2000 women have signed an open letter to Adam Sandler and New Wave Entertainment calling on Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for New Wave Entertainment in Burbank last week.

In the open letter to New Wave Entertainment, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on New Wave Entertainment  for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

New Wave Entertainment, Edward Norton or Rachele Brooke Smith have not responded to the petition. Nor has Jana Sandler responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “DUMBASS” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

New Wave Entertainment has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jessica Kovacevic of Happy Madison Productions has also expressed interest in the screenplay.

New Wave Entertainment is a well known production company known for Rothchild and a number of other cool movies and is represented by Doug Lucterhand.

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Brad Mirman, the screenwriter of Knight Moves, Body of Evidence, Truth or Consequences N.M., and other movies, has a website on which he offers advice to new writers. Here’s what he has to say about dialogue:

Dialogue comes out of character. People from different backgrounds use a different vocabulary and speaking style. Your own dialogue should reflect this—and if it does, you will avoid yet another common mistake by beginners, which is having all characters sound alike.


Among my students, writers with fiction backgrounds have the hardest time with screenwriting. This is because the rhetorical universes of these two narrative forms are so far apart. Consequently, when they begin screenwriting, students with fiction backgrounds greatly overwrite everything that goes into the action element: descriptions of place, descriptions and movement of characters. Moreover, they wallow in getting into their characters’ heads, something that is rarely done, if ever, in screenwriting.

The next item of importance in marketing is that the query letter must be professional, succinct, and such a grabber that the reader just has to request the script to find out what happens. It is for this reason I start with the names on the bottom of my TO QUERY list. I kind of test-drive my query with the first 20 to 25 prodcos, see what kind of a response I get.

The most important thing I’ve learned is not to market too early. The reputation of your work begins as soon as you send it out—make sure that first impression is one you can be proud of. Sure be proud that you finished a screenplay, but realistic that just typing FADE OUT doesn’t mean it’s FINISHED. REWRITE until it is the best it can be, and then go back and make sure you can’t do just a bit better. What you send out should be the best you can do. This way, even if that story may not be what is wanted/needed, if it is written well [very well] and in correct format they may request to read other work of yours. If it is not written well, you may never get another chance with that person.

Cindy has learned a lot about marketing in the traditional “school of hard knocks,” one’s own experience. Here is some of what she’s learned:

With your permission I would like to send the 110-page WGA registered screenplay for your review. Is a standard release acceptable, or is there an in-house one you would prefer? Thank you for your time and consideration. I look forward to hearing from you.

New Wave Entertainment

2660 W Olive Avenue



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