Petition asks Nick Sandow to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  Nick Sandow (film producer) to read screenplay addressing Texas judicial system

Nick Sandow – Talent Agents
– Actor, Producer, Director – Orange Is the New Black (2013), The Wannabe (2015), TIME: The Kalief Browder Story (2017), In the Blind (2013) – Innovative Artists, Steve Muller – Gasparro Management

Dumbass, Rains Retreat, A Memory of Loss

Nick Sandow & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?

EXCLUSIVE

More than 2000 women have signed an open letter to Adam Sandler calling on Nick Sandow and Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for Nick Sandow at Innovative Artists, Steve Muller last week.

In the open letter to Nick Sandow, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on Nick Sandow for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

Actor, Producer, Director, Nick Sandow, has not responded to the petition. Nor has Innovative Artists, Steve Muller responded with a comment.

Alan Nafzger/caption]

The screenplay “Dumbass” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that, “Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

During the winter’s deep freeze, the The Marshall Project, exposed the horrible prison conditions, “Inside Frigid Texas Prisons: Broken Toilets, Disgusting Food, Few Blankets.”

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

Nick Sandow has not commented on the script, thus far. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Adam Sandler of Happy Madison Productions has expressed interest in the screenplay.

Nick Sandow is a Actor, Producer, Director known for Orange Is the New Black (2013), The Wannabe (2015), TIME: The Kalief Browder Story (2017), In the Blind (2013) and is represented by Innovative Artists, Steve Muller.

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2) Literally create a new beginning at the start of Act II. Maybe the hero’s been a firefighter all of his life, but a devastating fall from a roof has left him paralyzed and he has to find a new occupation. Act II opens with the wheelchair-bound, former firefighter seeking a new career. This in itself is a story!

1) Create a false ending at the end of Act I. In Jaws, it appears the killer fish has been caught and the story appears to be over. In a suspense thriller, it might appear that a serial killer has been caught. In a romantic drama, it might appear like the leading role has found a soul mate. All of these are going to prove to be ‘false endings’ that will lead us into a new story in Act II.

Here are some techniques to help the writer break the screenplay into three stories while maintaining the integrity of the entire story:

Each one of these is technically its own story with a viable beginning, middle and an end. But take a close look at the length of each story. Story 1 is three-lines long. In the whole story this would be Act I’s setup. Story 2 is four long-lines in length, which would be Act II’s lengthy 60-pages. Story 3 is only two-lines long, which would be the final resolution or Act III. While each is its own story, the lengths vary.

In response, Brody develops a new PLAN, one we see often in stories: he contacts an Expert From Afar, oceanographer Matt Hooper, a shark specialist, to come in and give expert advice.

The town fathers hold a town meeting and decide on a new PLAN: they will close the beaches for twenty-four hours. Brody disagrees, but is overruled. Eccentric ship’s captain Quint offers his services to kill the shark —for ten grand. The town fathers are unwilling to pay.

This proves disastrous and tragic when the very next day (as Brody watches the ocean from the beach, as if that’s going to prevent a shark attack!), another swimmer, a little boy, is killed by the shark practicing its PLAN.

But Brody’s initial PLAN brings out a secondary antagonist: the town fathers, led by the mayor (and with a nice performance by co-screenwriter Carl Gottleib as the newspaper editor). They don’t want the beaches closed because the summer months, particularly the Fourth of July weekend, represent seventy percent (or something like that) of the town’s yearly income. The officials’ PLAN is to keep the beaches open, a direct conflict to Brody’s plan. So the town fathers obliquely threaten new Sheriff Brody with the loss of his job if he closes the beaches, and Brody capitulates.