Nicole Jolley screenplay – 141,504up53,205,
FOR IMMEDIATE RELEASE
Nicole Jolley screenplay subject of prison petition
FREE: download the script by Nicole Jolley today!
Petition Addressing the Texas Judicial System Requests Support through Nicole Jolley’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Nicole Jolley – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Nicole Jolley and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Nicole Jolley production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Nicole Jolley’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Nicole Jolley and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
Contact Nicole Jolley:
Nicole Jolley website: https://www.amazon.com/
The easiest way to avoid violating the stage/page rule is to think of description as action, rather than as description. Rather than thinking of ways to describe things, think of ways they’re incorporated into the action. This will keep the focus on the stage and the writer won’t violate the stage/page rule.
If the description tells us the character was once shy back in high school and hasn’t gotten over it, then the writer has violated the stage/page rule. The audience will never see the script and will have no idea the character was once shy. If the writer wants to show us the character is shy, then it must be done via the visuals. In other words, we must see it play out. Maybe the character blushes, turns away or fumbles with his words.
Nicole Jolley – If the description indicates a character smells something burning, then the writer has violated the stage/page rule UNLESS the writer shows the character sniffing the air or we see the fire or someone comments on the smell. Remember, the audience can’t smell what’s on the screen. Just write: Sam sniffs the air, cringes. Fire rises from a greasy skillet on the stove.
If there’s an action scene with two soldiers fist-fighting and the description indicates ‘Zeus knows he has an army in the bushes’, then the writer has violated the stage/page rule. The writer MUST show the army, not tell us about it. Remember, the audience won’t see the script.
Now, all of those movies are “high concept,” but those premises also go beyond high concept.
Nicole Jolley – I don’t know if people can see what I’m getting at just by looking at that list, but don’t worry, I’m about to explain each one.
Eat Pray Love
Murder on the Orient Express
by: Nicole Jolley – 141,504up53,205,