Noah Galvin screenplay – Actor | Writer | Producer, Booksmart (2019) | The Real O’Neals (2016-2017) | Assassination Nation (2018)
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Noah Galvin screenplay subject of prison petition
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Petition Addressing the Texas Judicial System Requests Support through Noah Galvin’s “Dumbass”
Will Hollywood be a Reason for Change in the Injustice against Men and Women Prisoners?
Noah Galvin – 19th March 2021 – An upcoming movie depicting the injustice that men and women had to endure in the state penitentiaries in Texas has been inundated with calls from more than 2000 women urging the production company owned by Hollywood actor, producer and director Noah Galvin and Adam Sandler, to stick to the real issues behind the Texas Judicial system. A petition was signed by many people that include attorneys, university professors, politicians and family members of the many men and women that are suffering in the state penitentiaries. The idea behind the petition is for the Noah Galvin production company and Hollywood to stick to the true story about the injustices happening in the state run prisons. It is said that the state has sent more inmates to prison than during the Soviet Union did during their political uprising.
PREMISE: Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.
SETTING: Contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long time for little or no reason. The number of women in Texas prisons has doubled in the last ten years. Why don’t we have the “Adam Sandler” character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.
It is said in the petition that many of the signatories were left distraught to find that many of the first time offenders for violations such as drug peddling have received disproportionate sentences. While some argue that a lenient sentence like rehabilitation would have proven much more inexpensive and an effective solution in tackling this gross miscarriage of justice. The petition was discovered by the women when the screenplay of the movie was donated to all the 580 prisons run by private organizations funded by the state government. It is much more difficult for women who are given much harsher penalties for a violation such as carrying small amount of drugs like Marijuana which coincidentally is legal in 21 states.
To know more visit http://www.screenplay.biz/petition-asks-happy-madison-productions-to-read-script/
About Noah Galvin’s “Dumbass” Movie
The movie “Dumbass” revolves around the protagonist writing letters to prison inmates to keep their spirits high during their time in prison; only for them to help the main character who gets into trouble with a drug cartel and saving him at the end. The petition urges the production company, Noah Galvin and Adam Sandler to take this issue seriously due to the hardships faced by women inside prison rather than making light of the situation for their own profits.
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Noah Galvin website: https://www.amazon.com/
Example: A male character in one scene says, “I love her because…”
A character says something and in the next scene the very first character to speak says the exact same thing or a conclusion of what the first character said.
Noah Galvin – Dialogue to Dialogue
Example: A scene ends with a phone ringing and the next scene opens with a phone ringing.
These are not terrible writers I’m talking about, either. The writing is not uneducated or laughable. That’s sort of what makes this kind of thing so painful to see.
Noah Galvin – And the ones who can’t write can take those suggestions and incorporate them until the cows come home and — I’m afraid — they are still never going to have chapters that would be of any interest to any agent or editor.
So anyway, I am reading these first chapters and realizing that I am absolutely right: I cannot teach these people to write. Some of them can write already, and some of them can’t. I can make suggestions to all of them to improve what they have handed in to me. And actually the suggestions would pretty much be along the same lines to all of them. But the ones who can write will take my suggestions and end up with better first chapters — or they’ll ignore me completely and their chapters will still be good, possibly better than they would be if they tried to rewrite them.
I believe I know how to write because I spent however many dozens of years journaling, starting at age four: my mother is a teacher and insisted that my siblings and I write every day. First a sentence, then a paragraph, then a page. Let me tell you, it worked. That’s not something you can recreate in a workshop any more than you can teach someone to play the piano in a workshop or teach someone to dance or paint in a workshop. The authors I know are writers; they may just have gotten around to writing a first book, but inevitably, in whatever way, they have been writers for dozens of years.
by: Noah Galvin – Actor | Writer | Producer, Booksmart (2019) | The Real O’Neals (2016-2017) | Assassination Nation (2018)