May 18, 2021

The Pan African Film Festival /C asked to read prison screenplay

Petition asks The Pan African Film Festival /C to read prison screenplay

More than 2000 women sign petition demanding a firm commitment from  The Pan African Film Festival /C (film production company) to read screenplay addressing Texas judicial system

The Pan African Film Festival /C

The petition also names David Ajala & Jeff Fahey to participate in the film.

Dumbass screenplay could sway Texas 2022 election.

The Pan African Film Festival /C & Adam Sandler’s film company targeted by Texas petition

Will Hollywood just rollover and let prisoner’s suffer?

EXCLUSIVE

The Pan African Film Festival /C
The Pan African Film Festival /C
In Texas, more than 2000 women have signed an open letter to Adam Sandler and The Pan African Film Festival /C calling on Hollywood to take “movie action” to tackle injustice against men and women in the wake of revelations that Texas has more prisoners incarcerated than the Soviet Union’s gulag system had. Texas currently has over 290,000 inmates housed at 580 facilities.

The signatories, including state senators, professors of criminal justice, social workers, family, and inmates, call for a “firm commitment” to tackle the unjust prisons in Texas. The petition has also been signed by Beto O’Rourke, and Matthew McConaughey. These two signatories might face each other in the 2022 Texas governors election. Both have expressed interest in the job.  The petitions arrived for The Pan African Film Festival /C in Los Angeles last week.

In the open letter to The Pan African Film Festival /C, the 2080 women write that they are “heartbroken for first-time drug offenders many times addicts who have received extremely harsh sentences in Texas when rehabilitation has proven a cheaper and more effective solution.”  The petition goes on to say their family and friends are often heartbroken for and looking for redemption and rehabilitation for the victimless drug crimes.”

The signatories, including attorneys, professors, politicians, family members, and inmates, call on The Pan African Film Festival /C  for a ‘firm film commitment’ to tackle the issue of operating the Texas prison system for profit.

Inside prisons, the women are faced with such horrendous conditions… the petition demands that “filmmakers begin to take the issue seriously.”  Also, the petition reminds that “even here in the USA in the 21st century citizens are not safe from government oppression.”

The petition came to light when women discovered the screenplay, a copy which was dontated to all 580 of the state’s prison and jail libraries. The existence of the petition surfaced on International Women’s Day. Women in Texas face extreme prejudice in Texas and often receive extremely harsh penalties for even a small amount of drugs, including marijuana. Marijuana is legal now in 21 states.

The Pan African Film Festival /C, Jeff Fahey or David Ajala have not responded to the petition. Nor has Jana Sandler responded with a comment.

Alan Nafzger Alan Nafzger/caption]

The screenplay “DUMBASS” was penned by writer and retired professor of political science Alan Nafzger.

The premise of the story is that,Adam Sandler writes letters and saves numerous women from the monotony of prison life, and later when he gets into trouble with a drug cartel they return the favor by rescuing him.”

The film would be set in contemporary, Gatesville Texas. There are four women’s prisons located in Gatesville. And of course, Texas is famous for putting everyone in prison for a long sentences for little or no reason. The number of women in Texas prisons has tripled in the last ten years, as mass incarcerations have proven profitable to not only the state but also profitable for an array of business interests.

Writer Alan Nafzger has called on Governor Greg Abbott to, “end the prison industry.”

Recently, “Wheel of Fortune” host Pat Sajak spoke out against the Texas system and put a good word in for mercy and forgiveness out on social media. “How nice for those who have lived such exemplary lives that they can express glee when others have their lives ruined by a mistake, real or perceived,” Sajak tweeted last month.

The petition states, “Why don’t we have the ‘Adam Sandler’ character… sending letters to women in prison and being their friend and trying to help them adjust, giving them hope… and when they get out of prison he picks them up so they don’t have to ride the smelly bus back home… but his pickup truck is a junker, smoking and sputtering … worse than the bus. But his heart is in the right place… He’s the last “chivalrous” man on earth.”

The Pan African Film Festival /C has not commented on the script, thusfar. A statement is expected soon.

Professor Nafzger has made a short treatment of the project available online.

He has made the finished script available at for select filmmakers.

Jessica Kovacevic of Happy Madison Productions has also expressed interest in the screenplay.

The Pan African Film Festival /C is a well known production company known for Bring Them Down and a number of other cool movies and is represented by Doug Lucterhand.

——————- READ MORE ——————-

Tree People: Everything in Its Place

So let’s look at tree people and forest people more closely.

If you find out what your natural method of writing is, you will be able to take advantage of certain sections in this book that will make less sense to writers of the opposite style.

A forest person can be very turned off by a teacher taking a tree person’s approach and vice versa. For example, I have a friend who teaches playwriting and requires students to fill out notebooks filled with character biographies. I would rebel against doing this! In my view, this would dissipate the very energy I use for writing, and by the time I finished such an “extraneous” exercise I likely would have lost interest in the project.

And bringing the antagonist closer to center stage now can be the vehicle by which you accomplish this.

But Richard Walter perhaps says it best: make sure we have “wrinkles and reversals, obstacles and complications.”

In other words, don’t blow your wad here. Begin with small obstacles and build, each obstacle greater than the previous one. And through much of this part of Act Two, the hero can be winning—until there’s the midpoint plot point, which may reveal a “new, true goal” in Siegel’s terms (2 goal, 9 act structure), an actual setback in Jarvis’ terms, or reaching a point of no return in Shomon’s terms.

The path of the hero here is toward increasing jeopardy and more danger, but a journey that has some initial success. Although you are “throwing rocks” at the hero throughout the second act, remember that you need to save your “big rocks” for the climax in Act Three.

The Pan African Film Festival /C

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Los Angeles

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